000			03766nam a2200409 i 4500
008			151027s2011 fr a bc 000 0 eng c
020			_a9782867702037 _q(paperback)
020			_a2867702038 _q(paperback)
035			_a(OCoLC)778067954
040			_aIQU _beng _cSTF _dYBM _dHIR _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	4	_aNC593 _b.B37 2011
082	0	4	_222
100	1		_aBargue, Charles, _d1826 or 7-1883.
245	1	0	_aCharles Bargue drawing course : _bwith the collaboration of Jean-Léon Gérôme / _cGerald M. Ackerman ; with the collaboration of Graydon Parrish.
246	3	0	_aDrawing course.
264		1	_aParis : _bACR Edition, _c2011.
264		4	_c©2011.
300			_a336 pages : _billustrations (some color) ; _c28 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
380			_aCatalog
500			_aAccompanies an exhibition with the same name Nov. 25, 2003 - Feb. 8, 2004 at the Dahesh Museum of Art, New York.
504			_aIncludes bibliographical references.
505	0	0	_t-- The history of the Drawing course _t-- Public controversy over teaching materials _t-- Goupil proposes of solution _t-- The organization of the Drawing course _t-- Drawing after casts (Modèles d'après la bosse). Introduction _t-- Practical matters: using the plates as models to copy _t-- The schemata or plans _t-- Materials _t-- Drawing terms _t-- Suggestions for coping the plates _t-- Values and modeling _t-- Procedure for modeling _t-- Finishing the drawing _t-- Copying master drawings (Modèles d'après les maîtres). Introduction _t-- Realism, idealism, and academic drawing _t-- Practical matters _t-- On choosing a master drawing to copy: the benefits of copying _t-- Getting down to copying _t-- A note about the drawings by Hans Holbein the younger _t-- Preparation for drawing académies (Exercices au fusain pour préparer à l'étude de l'académie d'après nature). Introduction _t-- Ancient sculpture as the model of true beauty: the prevalence of male models _t-- Practical matters: copying the drawings _t-- Some notes on Bargue's style _t-- A repertoire of traditional poses _t-- Charles Bargue, the artist. Introduction _t-- Bargue's early career _t-- From craftsman to artist: Bargue's early development _t-- Bargue and Goupil and Cie _t-- Goupil's reductions _t-- The Drawing course _t-- Bargue's work during the 1870 _t-- A possible voyage to the Near East: Bargue's first orientalist painting _t-- A Rococo theme: the artist and his model of 1874 _t-- Compositional experiments _t-- The artist and his model of 1878 _t-- Mosque scenes _t-- A Bashi-Bazouk and some Albanians _t-- Bargue's final five years, 1878-83 _t-- Two Chess games _t-- Bargue's death _t-- A preliminary catalogue of Bargue's paintings _t-- Drawings by Bargue reproduced in this study.
520			_a"This book is a complete reprint of the fabled but rare Drawing Course (Cours de Dessin) of Charles Bargue and Jean-Léon Gérôme, published in Paris in the 1860s and 1870s. For most of the next half-century, this set of nearly 200 masterful lithographs was copied by art students worldwide before they attempted to draw from a live model. This book will be valuable to a wide range of artists, students, art historians and collectors, even as it introduces them to the hitherto-neglected master, Charles Bargue."-- Back cover.
600	1	0	_aBargue, Charles, _d1826 or 7-1883. _996729
600	1	0	_aGérôme, Jean Léon, _d1824-1904. _9113196
650		0	_aDrawing _xStudy and teaching.
650		0	_aDrawing _vExhibitions.
700	1		_aGérôme, Jean Léon, _d1824-1904.
700	1		_aAckerman, Gerald M.
700	1		_aParrish, Graydon, _d1970-
710	2		_aDahesh Museum of Art.
942			_2lcc _cKT
999			_c33974 _d33974