000			01813nam a2200289 i 4500
008			151105s2013 enka 000 0 eng d
020			_a9781780671109 _q(hbk.)
020			_a1780671105 _q(hbk.)
035			_a(OCoLC)859177849 _z(OCoLC)805050600 _z(OCoLC)860874139
040			_aSITPL _cSITPL _dNLE _dBTCTA _dBDX _dUKMGB _dCDX _dMZA _dNKM _dOUN _dBAUN _beng _erda
049			_aBAUN_MERKEZ
050	1	4	_aArt/NC 730 _b.V345 2013
100	1		_aValli, Marc.
245	1	0	_aWalk the line : _bthe art of drawing / _cMarc Valli and Ana Ibarra.
264		1	_aLondon : _bLawrence King, _c2013.
264		4	_c©2013.
300			_a319 pages : _billustrations (some color) ; _c28 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520			_aDrawing has always been a fundamental skill and good drawing skills allowed artists to grasp the reality around them. At the turn of the millennium, however, the general impression was that with the wide availability of computers, scanners, digital cameras and image software, drawing would dwindle into a marginal activity. In fact, the opposite happened: the enthusiasm for digital imagery died down and the ability to draw has become a treasured skill. In the art world, attitudes to drawing have also changed. Drawing became a way of making a statement as an artist, of showing masterly skill something that up to then had been most commonly associated with painting. After centuries in the shadow of its more illustrious fine art relatives, drawing started to be appreciated for its own sake, as an art discipline, an end in itself, an art form.
650		0	_aDrawing _xTechnique.
650		0	_aArt _y21st century.
650		0	_aArtists _y21st century _vBiography.
700	1		_aIbarra, Ana.
942			_2lcc _cKT
999			_c33975 _d33975