| 000 | 03376cam a2200409Ia 4500 | ||
|---|---|---|---|
| 008 | 151105s2014 enka bc 001 0 eng d | ||
| 020 | _a9781907533631 (hardback) | ||
| 020 | _a190753363X | ||
| 035 | _a(OCoLC)875034398 | ||
| 040 |
_aYNK _cYNK _dLND _dOCLCO _dYDXCP _dDEBBG _dSTF _dIAD _dLMR _dZLM _dJPG _dZCU _dBAU _beng _erda |
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| 049 | _aBAU_MERKEZ | ||
| 050 | 4 |
_aArt/ NE 1150 _b.G53 2014 |
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| 082 | 0 | 4 | _223 |
| 100 | 1 | _aGnann, Achim. | |
| 245 | 1 | 0 |
_aChiaroscuro : _bRenaissance woodcuts from the collections of Georg Baselitz and the Albertina, Vienna / _cAchim Gnann, with David Ekserdjian and Michael Foster. |
| 264 | 1 |
_aLondon : _bRoyal Academy of Arts, _c2014. |
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| 264 | 4 | _c©2014. | |
| 300 |
_a229 pages : _billustrations (chiefly color) ; _c29 cm. |
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| 336 |
_2rdacontent _atext _btxt |
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| 337 |
_2rdamedia _aunmediated _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 500 | _aCatalog of the exhibition at Royal Academy of Arts, London, 15 March-8 June 2014. | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aThe chiaroscuro woodcut: an introduction / Achim Gnann -- Georg Baselitz and the collecting of prints / David Ekserdjian -- Catalogue. Beginnings: Lucas Cranach in Wittenburg and Hans Burgkmair in Augsburg ; Strasbourg: Hans Wechtlin and Hans Baldung Grien ; The chiaroscuro woodcut elsewhere in the German-speaking world ; Beginnings in Italy: Ugo da Carpi ; Ugo da Carpi's pupils and followers ; Domenico Beccafumi ; Cremona and Bologna ; Germany and the Netherlands in the second half of the sixteenth century ; Developments in Italy. | |
| 520 | _aTraces the genesis and dissemination of chiaroscuro woodcuts in 16th-century Germany, Italy, and the Netherlands, with more than 130 examples including masterpieces by Cranach, Beccafumi, and Goltzius. | ||
| 520 | _a"The chiaroscuro woodcut was developed in Germany in the early 16th century. By printing from one or more colour blocks in addition to the customary line block, artists found that they could create a dramatic interplay of light and shade - chiaroscuro, the word that came to define the genre. They used its painterly qualities to create both independent works of art and reproductions of drawings and paintings by others. This handsome publication brings together more than 130 chairoscuro woodcuts from Germany, Italy and the Netherlands, documenting the fascinating history of the technique during its golden age. It is lavishly illustrated with some of the rarest and finest woodcuts from the collections of the painter Georg Baselitz and the Albertina museum of prints and drawings in Vienna, inclkuding masterpieces by such well-known artists as Lucas Cranach the Elder and the undisupted Italian master of the genre Ugo da Carpi." -- Publisher's description. | ||
| 600 | 1 | 0 |
_aBaselitz, Georg, _d1938- _xArt collections _vExhibitions. _999805 |
| 610 | 2 | 0 |
_aGraphische Sammlung Albertina _vExhibitions. |
| 650 | 0 |
_aWood-engraving, Renaissance _xPrivate collections _vExhibitions. |
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| 650 | 0 |
_aWood-engraving, Renaissance _xCollectors and collecting _vExhibitions. |
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| 650 | 0 |
_aChiaroscuro _xPrivate collections _vExhibitions. |
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| 650 | 0 |
_aChiaroscuro _xCollectors and collecting _vExhibitions. |
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| 700 | 1 | _aEkserdjian, David. | |
| 700 | 1 | _aFoster, Michael. | |
| 710 | 2 |
_923870 _aRoyal Academy of Arts (Great Britain) |
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| 942 |
_2lcc _cKT |
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| 999 |
_c34204 _d34204 |
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