| 000 | 02798cam a2200421Ia 4500 | ||
|---|---|---|---|
| 001 | 751798375 | ||
| 003 | BAU | ||
| 005 | 20240114201234.0 | ||
| 008 | 151105s2011 nyua bc 000 0 eng d | ||
| 010 | _a2011934424 | ||
| 020 | _a9780870708183 (pbk.) | ||
| 020 | _a087070818X (pbk.) | ||
| 035 | _a(OCoLC)751798375 | ||
| 040 |
_aUKMGB _beng _cUKMGB _dOCO _dORX _dNGA _dCDX _dWES _dLANGC _dZCU _dYDXCP _dEB$ _dOCL _dNZHWP _dA7U _dNZTPM _dOCLCA _dOCLCF _dOCLCQ _dRTM _dBAUN _erda |
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| 043 | _an-us-ny | ||
| 049 | _aBAUN_MERKEZ | ||
| 050 |
_aArt/ NE 490 _b.S89 2011 |
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| 082 | 0 | 4 | _222 |
| 100 | 1 |
_aSuzuki, Sarah J. S. _997231 _eaut |
|
| 245 | 1 | 0 |
_aWhat is a print? : _bselections from the Museum of Modern Art / _cSarah Suzuki. |
| 264 | 1 |
_aNew York : _bMuseum of Modern Art, _c2011. |
|
| 300 |
_a168 pages : _bcolor illustrations ; _c27 cm. |
||
| 336 |
_atext _btxt _2rdacontent. |
||
| 337 |
_aunmediated _bn _2rdamedia. |
||
| 338 |
_avolume _bnc _2rdacarrier. |
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| 504 | _aIncludes bibliographical references (page 166) | ||
| 505 | 0 | 0 |
_tWoodcut -- _tIntaglio -- _tLithography -- _tScreenprint -- _tOther processes and new technologies. |
| 520 | _aWhat is a print? This volume aims to answer that question by exploring the four basic printmaking techniques--woodcut, intaglio, lithography and screenprint--that have been used to create some of the most iconic images in modern art, from Paul Gauguin's Noa Noa to Andy Warhol's Marilyn Monroe. Illustrated with works from The Museum of Modern Art's superlative collection of prints, the book is divided into four sections that provide an overview introduction to each technique. Each section presents approximately 40 prints that demonstrate the range and variety of a particular technique and illustrate its development over the last century. Extended captions highlight the distinctive visual effects unique to each technique, and examine issues specific to printmaking, such as democratic ideas about distribution and social and political function. Featured works range from Edvard Munch's radical woodcut experiments from the 1890s to Kelley Walker's digital experiments of the last several years, and include prints by modern masters like Pablo Picasso and Joan Miró as well as those made by a roster of international contemporary artists who continue to explore and expand these techniques today. -- Book Description. | ||
| 610 | 2 | 0 |
_aMuseum of Modern Art (New York, N.Y.) _vCatalogs. |
| 650 | 0 |
_aPrints _y20th century _vCatalogs. |
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| 650 | 0 |
_aPrints _y21st century _vCatalogs. |
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| 650 | 0 |
_aPrints _y19th century _vCatalogs. |
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| 650 | 0 |
_aPrints _xTechnique _923353 |
|
| 650 | 0 |
_aPrints _zNew York (State) _zNew York _vCatalogs. |
|
| 650 | 0 |
_aPrints _y21st century. |
|
| 710 | 2 |
_921332 _aMuseum of Modern Art (New York, N.Y.) |
|
| 942 |
_2lcc _cKT |
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| 999 |
_c34241 _d34241 |
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