| 000 | 02905cam a2200397 i 4500 | ||
|---|---|---|---|
| 001 | 41441 | ||
| 003 | BAUN | ||
| 005 | 20240114201330.0 | ||
| 008 | 111228s2012 fr m bc a001 0deng | ||
| 010 | _a2011053072 | ||
| 020 |
_a9780300182019 _c(cl : alk. paper) |
||
| 020 |
_a0300182015 _c(cl : alk. paper) |
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| 020 |
_a9782754106375 _c(hazan) |
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| 020 |
_a2754106375 _c(hazan) |
||
| 035 | _a(OCoLC)830199379 | ||
| 040 |
_aDLC _beng _cDLC _dOCLCO _dYDXCP _dUKTTE _dPSM _dBWX _dMUU _dORX _dJTH _dGZM _dPUL _dMZA _dBDX _dCDX _dVVC _dCUT _dVMC _dBAUN _erda |
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| 041 | 1 |
_aeng _hfre |
|
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aArt/N6853.M64 _bA4 2012 |
| 130 | 0 |
_aBerthe Morisot. _lEnglish. |
|
| 245 | 1 | 0 |
_aBerthe Morisot : _b1841-1915 / _cMarianne Mathieu, curator. |
| 264 | 1 |
_aParis : _bÉditions Hazan ; _aNew Haven : _bDistributed by Yale University Press, _c[2012] |
|
| 300 |
_a264 pages : _billustrations ; _c29 cm. |
||
| 336 |
_atext _2rdacontent. _btxt |
||
| 336 |
_astill image _2rdacontent. _bstill image |
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| 337 |
_aunmediated _2rdamedia. _bn |
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| 338 |
_avolume _2rdacarrier. _bnc |
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| 500 | _aAt head of title: Musée Marmottan Monet - Académie des Beaux-Arts, Institut de France. | ||
| 504 | _aIncludes bibliographical references (pages 262-263) and index. | ||
| 505 | 0 |
_tOn Berthe Morisot / _rPaul Valéry _t--Berthe Morisot : from wound to light / _rJean-Marie Rouart _t--Watercolours, pastels and drawings in the work of Berthe Morisot / _rMarianne Mathieu _t--Catalogue of exhibited works / _rPaloma Alarcó, Emmanuelle Amiot-Saulnier, Marianne Mathieu, Mich{grave}ele Moyne, Pierre Pinchon _t--Catalogue of graphic works, Marmottan Monet Museum collection / _rLauranne Neveu _t--Chronology / _rMarianne Mathieu. |
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| 520 | _a"Berthe Morisot (1841-1895) was one of only a handful of women who exhibited both at the famed Paris Salon and with the French Impressionists. Her exquisite work depicts the world of the Parisian bourgeoisie: their clothes, their life-styles, their surroundings, and their relationships. Over one hundred full-color paintings, graphic works, watercolors, and pastels are reproduced in this volume, and are accompanied by original commentaries that follow the artist's career from her training with Jean-Baptiste-Camille Corot to her final work. Included in the volume is an essay that Morisot wrote about her nephew-in-law Paul Valéry in 1948--a seminal text that has never been included in his collected works--as well as extensive correspondence and sketchbooks held at the Musée Marmottan Monet, which have rarely been accessible. Morisot has been hailed by historians as one of the forgotten women artists of the 19th century, and this volume helps to reveal her artistic influence on her better-known peers."--Amazon.com. | ||
| 600 | 1 | 0 |
_aMorisot, Berthe, _d1841-1895 _vExhibitions. |
| 700 | 1 | _aMathieu, Marianne. | |
| 710 | 2 |
_9111820 _aMusée Marmottan |
|
| 942 |
_2lcc _cKT |
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| 999 |
_c38775 _d38775 |
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