| 000 | 02745cam a2200421 i 4500 | ||
|---|---|---|---|
| 001 | 41457 | ||
| 003 | BAUN | ||
| 005 | 20240114201330.0 | ||
| 008 | 120710t20122012at mc b a001 0 eng d | ||
| 020 |
_a9781741740783 _qpbk. |
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| 020 |
_a1741740789 _qpbk. |
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| 020 |
_a9783791347585 _qhbk. |
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| 020 |
_a3791347586 _qhbk. |
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| 035 | _a.b72019876 | ||
| 040 |
_aUKMGB _beng _cUKMGB _dOCLCO _dERASA _dYDXCP _dMZA _dBWX _dAU@ _dOBE _dUKTTE _dOSU _dUtOrBLW _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 4 |
_aArt/ND497.B16 _bA4 2012 |
|
| 082 | 0 | 4 | _223 |
| 100 | 1 |
_aBacon, Francis, _d1909-1992, |
|
| 245 | 1 | 0 |
_aFrancis Bacon : _bfive decades / _cedited by Anthony Bond ; with essays by Anthony Bond, Martin Harrison and Rebecca Daniels, Margarita Cappock, Ernst van Alphen. |
| 264 | 1 |
_aSydney, N.S.W. : _bArt Gallery of New South Wales, _c[2012] |
|
| 264 | 2 |
_aLondon : _bDistributed in UK and Europe, Thames & Hudson ; _aDistributed in North America, Prestel Publishing, _c[2012] |
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| 264 | 4 | _c©2012. | |
| 300 |
_a240 pages : _billustrations (chiefly color), portraits (chiefly color) ; _c28 cm. |
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| 336 |
_atext _2rdacontent. _btxt |
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| 337 |
_aunmediated _2rdamedia. _bn |
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| 338 |
_avolume _2rdacarrier. _bnc |
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| 504 | _aIncludes bibliographic references and index. | ||
| 520 | _aTwenty years after the artist's death, this new publication presents a timely and rich overview of the life and work of Francis Bacon. The book includes some 60 paintings as well as photographs, ephemera and archival material largely drawn from the artists studio. An introduction and four essays by international experts look at specific aspects of Bacon's work, from detailed analysis of archival material to a study of the influences of Marcel Duchamp. The paintings divide into a thematic chronology of five decades: the 1940s, which looks at the figure studies closely related to Bacon's famous Three studies for figures at the base of a crucifixion; the 1950s, where his work is informed by Velazquez and van Gogh, but is also dominated by ambiguous, shadowy figures in sombre tones; the 1960s and 70s, which focus on the portraits and subsequent memorials to Bacon's lover George Dyer, who died in 1971; the 1980s, while calmer and more naturalistic, reveal more haunted works which make reference to classical mythology and epic poetry. Each decade is defined by influences in his life and motifs which form part of an evolving pictorial language. | ||
| 600 | 1 | 0 |
_aBacon, Francis, _d1909-1992. _935218 |
| 700 | 1 |
_aBond, Anthony, _d1944- |
|
| 700 | 1 | _aHarrison, Martin, | |
| 700 | 1 | _aDaniels, Rebecca, | |
| 700 | 1 | _aCappock, Margarita, | |
| 700 | 1 | _aAlphen, Ernst van, | |
| 710 | 2 |
_9111069 _aArt Gallery of New South Wales |
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| 942 |
_2lcc _cKT |
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| 999 |
_c38790 _d38790 |
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