000			02812cam a2200385 i 4500
001			41464
003			BAUN
005			20240114201330.0
008			130925s2014 ctum b a001 0 eng
010			_a2013035606
020			_a9780300204339 _qcl : alk. paper
020			_a0300204337 _qcl : alk. paper
035			_a(OCoLC)859252946 _z(OCoLC)888072306
040			_aDLC _beng _erda _cDLC _dYDX _dBDX _dYDXCP _dBTCTA _dERASA _dUKMGB _dOCLCF _dCHVBK _dPUL _dKMS _dSTF _dDAY
049			_aBAUN_MERKEZ
050	0	0	_aArt/ND553.M8 _bC664 2014
082	0	0	_223
100	1		_aCooke, Peter, _d1962-
245	1	0	_aGustave Moreau : _bhistory painting, spirituality and symbolism / _cPeter Cooke.
264		1	_aNew Haven : _bYale University Press, _c[2014]
300			_axi, 252 pages : _billustrations ; _c29 cm.
336			_atext _2rdacontent. _btxt
336			_astill image _2rdacontent. _bstill image
337			_aunmediated _2rdamedia. _bn
338			_avolume _2rdacarrier. _bnc
504			_aIncludes bibliographical references (pages 227-240) and index.
505	0		_t--A complex oeuvre _t--The reinvention of history painting, 1860-1869 _t--Painting against the Republic, 1871-1880 _t--The ideal and matter : from Oedipus and the Sphinx to the Dead Lyres _t--Working for posterity : the students and the museum.
520			_aThe French painter Gustave Moreau (1826-1898) strove to renew figure painting by creating an unacademic form of 'epic' art. In this book, Peter Cooke explains how Moreau effectively created pictorial Symbolism through his novel approach to the genre of history painting. In the process, the author examines the artist through a number of his major paintings, his ideology and aesthetic, and in relation to other artists of his time and of the previous generations. The narrative follows Moreau's career from his Neoclassical and academic training through his conversion to Romanticism, his studies in Italy, his experiences as an exhibitor at the Paris Salon, between 1864 and 1880, and his subsequent years as a professor at the Ecole des Beaux-Arts and as the founder of his own museum. By examining Moreau's critical reception, as well as that of his students, the book shows his controversial effect on the art world of his time, during the Second Empire and Third Republic. Drawing on unpublished manuscripts from the Musée Gustave Moreau in Paris, Cooke presents insights into how Moreau's complex and original art reflects his spiritualist ideology, together with his persistent inner obsessions.
600	1	0	_aMoreau, Gustave, _d1826-1898 _xCriticism and interpretation.
650		0	_aHistory painting, French _y19th century.
650		0	_aSpirituality in art.
650		0	_aSymbolism (Art movement) _zFrance.
710	2		_9111452 _aYale University Press
942			_2lcc _cKT
999			_c38796 _d38796