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020 _a9780870709746
_q(hardcover)
020 _a0870709747
_q(hardcover)
035 _a(OCoLC)910702723
040 _aYDXCP
_beng
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049 _aBAUN_MERKEZ
050 4 _aArt/NB553.P45
_bA4 2015
082 0 4 _223
100 1 _aPicasso, Pablo,
_d1881-1973,
245 1 0 _aPicasso sculpture /
_cAnn Temkin, Anne Umland ; with Virginie Perdrisot, and Luise Mahler and Nancy Lim.
264 1 _aNew York :
_bThe Museum of Modern Art,
_c[2015]
264 2 _aNew York, New York :
_bDistributed in the United States and Canada by ARTBOOK/D.A.P.
264 4 _c©2015.
300 _a320 pages :
_billustrations (some color) ;
_c32 cm.
336 _atext
_btxt
_2rdacontent.
336 _astill image
_bstill image
_2rdacontent.
337 _aunmediated
_bn
_2rdamedia.
338 _avolume
_bnc
_2rdacarrier.
500 _aCatalog of an exhibition held at The Museum of Modern Art, New York, September 14, 2015-February 7, 2016.
504 _aIncludes bibliographical references (pages 312-317)
505 0 _tPicasso sculpture: an introduction /
_rAnn Temkin and Anne Umland
_t--Picasso sculpture: a documentary chronology, 1902-1973 /
_rLuise Mahler and Virginie Pedrisot with Rebecca Lowery
_t--Chapter 1. Beginnings 1902-1906
_t--Chapter 2. Wood carving and the first cubist sculptures 1907-1909
_t--Chapter 3. Reinventing sculpture: the cubist years 1912-1915
_t--Chapter 4. Around "The Monument to Apollinaire" 1927-1931
_t--Chapter 5. The Boisgeloup Sculpture Studio 1930-1937
_t--Chapter 6. The war years 1939-1945
_t--Chapter 7. Vallauris: ceramics and assemblages 1945-1954
_t--Chapter 8. Wood assemblages, sheet metal sculptures, and public monuments 1954-1973
_t--Photographs by Brassai /
_rCompiled by Luise Mahler
_t--Checklist of the exhibition /
_rcompiled by Nancy Lim and Luise Mahler
_t--Selected exhibitions, 1910-1967 /
_rcompiled by Luise Mahler.
520 _aPublished in conjunction with the first large-scale retrospective of Picasso's sculpture in the US since The Museum of Modern Art's historic show of 1967, Picasso Sculpture is a sweeping survey of the artist's profoundly innovative and influential work in three dimensions. Over the course of his long career, Picasso devoted himself to sculpture wholeheartedly, if episodically, using both traditional and unconventional materials and techniques. Unlike painting, in which he was formally trained and through which he made his living, sculpture occupied a uniquely personal and experimental status in Picasso's oeuvre. He kept the majority of his sculptures in his private possession during his lifetime, and it was only in the late 1960s that the public became fully aware of this side of his oeuvre. -- Provided by publisher.
520 _aPicasso Sculpture presents approximately 150 sculptures--many of them captured in newly commissioned and sometimes multi-view photographs--alongside a selection of works on paper and photographs. Organized into chapters that correspond to distinct periods during which Picasso devoted himself to sculpture, the publication features an introduction by the exhibition curators as well as a richly illustrated documentary chronology focusing on the sculptures included in the exhibition. A comprehensive bibliography and list of historic exhibitions related to Picasso's work in sculpture closes the volume, advancing the understanding of Picasso's practice and lifelong commitment to constant reinvention. -- Provided by publisher.
600 1 0 _aPicasso, Pablo,
_d1881-1973
_vExhibitions.
650 0 _aSculpture, Modern
_y20th century
_vExhibitions.
700 1 _aTemkin, Ann,
700 1 _aUmland, Anne,
700 1 _aPerdrisot, Virginie,
700 1 _aMahler, Luise,
700 1 _aLowery, Rebecca,
700 1 _aLim, Nancy
_c(Curatorial assistant),
700 1 2 _aPicasso, Pablo,
_d1881-1973.
_tWorks.
_kSelections.
710 2 _921332
_aMuseum of Modern Art (New York, N.Y.)
710 2 _9111747
_aMusée Picasso (Paris, France)
942 _2lcc
_cKT
999 _c38816
_d38816