000			02343cam a2200373 a 4500
001			41519
008			881114s1990 ctum b a001 0 eng
010			_a88033767
020			_a0300043376 _q(paperback)
020			_a9780300043372
020			_a0300052413 _q(paperback)
020			_a9780300052411 _q(paperback)
035			_a(OCoLC)
040			_aDLC _beng _cDLC _dUKM _dMUQ _dNLGGC _dBTCTA _dYDXCP _dUKTTE _dGEBAY _dDEBSZ _dDEBBG _dNUKAT _dCOF _dGBVCP _dFYM _dALAUL _dOCLCF _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	0	_aND1475 _b.K46 1990
100	1		_aKemp, Martin.
245	1	4	_aThe science of art : _boptical themes in western art from Brunelleschi to Seurat / _cMartin Kemp.
264		1	_aNew Haven : _bYale University Press, _c1990.
300			_aviii, 375 pages : _billustrations (some color) ; _c30 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
504			_aIncludes bibliographical references (pages 363-364) and index.
505	0		_tINTRODUCTION ---- PART I: LINES OF SIGHT. Introduction to Part I --- 1. Perspective from Brunelleschi to Leonardo --- 2. Perspective from Durer to Galileo --- 3. Perspective from Rubens to Turner ---- PART II: MACHINE AND MIND. Introduction to Part II --- 4. Machines and marvels --- 5. Seeing, knowing and creating ---- PART III: THE COLOUR OF LIGHT. Introduction to Part III --- 6. The Aristotelian legacy --- 7. Newton and after --- Colour plates --- Coda ---- APPENDIX I. EXPLANATION OF LINEAR PERSPECTIVE --- APPENDIX II. BRUNELLESCHI'S DEMONSTRATION PANELS.
520			_aFor almost five hundred years the central goal of European painting was the imitation of nature. Many artist and theorists, believing that imitation must be based on scientific principles, found inspiration or guidance in two branches of optics--the geometrical science of perspective and the physical science of colour. In this pathbreaking and highly illustrated book Martin Kemp examines the major optically orientated examples of artistic theory and practice from the Renaissance to the nineteenth century.
650		0	_aPainting _xTechnique.
650		0	_aComposition (Art)
650		0	_aPerspective.
650		0	_aColor in art.
650		0	_aNature (Aesthetics)
710	2		_9111452 _aYale University Press
942			_2lcc _cKT
999			_c38840 _d38840