000			03511cam a2200397 a 4500
001			41123
008			940309t19951995paumf b a001 0 eng
010			_a94009733
020			_a0874516714 _qalk. paper
020			_a9780874516715 _qalk. paper
020			_a0874517427 _qpbk.
020			_a9780874517422 _qpbk.
035			_a(OCoLC)
040			_aDLC _beng _cDLC _dCWS _dUKM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dNLF _dCPE _dUBC _dKSU _dUtOrBLW _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	0	_aNX650.C676 _bR56 1995
082	0	0	_220
100	1		_aRiley, Charles A.
245	1	0	_aColor codes : _bmodern theories of color in philosophy, painting and architecture, literature, music, and psychology / _cCharles A. Riley II.
264		1	_aHanover : _bUniversity Press of New England, _c[1995]
264		4	_c©1995.
300			_axi, 351 pages, 8 unnumbered pages of plates : _bcolor illustrations ; _c24 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
504			_aIncludes bibliographical references (pages [339]-342) and index.
505	0		_tIntroduction: The palette and the table _t--Color in philosophy. Kant _tGoethe _tHegel _tWittgenstein _tJonathan Westphal _tP.M.S. Hacker _tC.L. Hardin _tSpengler _tAdorno _tBarthes _tDerrida _t--Color in painting and architecture. Painting: Monet _tDenis _tDegas _tWhistler _tvan Gogh _tGaugin _tCezanne _tRobert and Sonia Delaunay _tMorgan Russell and Stanton Macdonald-Wright _tMatisse _tKandinsky _tAlbers _tHofmann _tAvery _tRothko _tLouis _tO'Keeffe _tNewman _tStella _tLictenstein _tHalley _tRyman _tMark Milloff _tNancy Haynes _tJaime Franco _tCharles Clough. Architecture: Le Courbusier _tGraves _tStirling _t--Color in literature. Gide _tProust _tJoyce _tTrakl _tH.D. _tStevens _tHollander _tPynchon _tA.S. Byatt _t--Color in music. Wagner _tStockhausen _tSchoenberg ;
505	0		_tMessiaen _tSlawson _t--Color in psychology. Kohler _tArnheim _tFreud _tJung _tContemporary issues in color psychology _tOliver Sachs.
520			_aColor is an endlessly fascinating and controversial topic. "The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color. Color Codes draws heavily on interviews with many of today's leading artists - Roy Lichtenstein, Frank Stella, Peter Halley, Lukas Foss, A. S. Byatt, and others - as well as seminal texts by a wide range of thinkers including Wittgenstein, Derrida, Barthes, Schoenberg, Kandinsky, Albers, Joyce, Pynchon, and Jung. Although Riley finds remarkable parallels among the theories and techniques of various disciplines, his emphasis is on the individual nature of the color sense. This resistance to a unified color theory gives the current aesthetic debate tremendous energy. "Because it is largely an unknown force, color remains one of the most vital sources of new styles and ideas, ready to be tapped by creative minds in the coming decades." In the studios of artists and composers, and in the recent writings of philosophers, psychologists, poets, and novelists, evidence of this emerging power is abundant. Creators, critics, and lay readers will find Color Codes accessible and stimulating.
650		0	_aColor in art.
650		0	_aArts.
650		0	_aColor (Philosophy)
650		0	_aColor _xPsychological aspects.
710	2		_9112834 _aUniversity Press of New England
942			_2lcc _cKT
999			_c38891 _d38891