| 000 | 02898cam a2200349 a 4500 | ||
|---|---|---|---|
| 001 | 41127 | ||
| 008 | 101217s2010 enkmb b a001 0deng | ||
| 010 | _a2010283398 | ||
| 020 |
_a9780714842950 _qhbk. |
||
| 020 |
_a0714842958 _qhbk. |
||
| 028 | 5 | 2 | _a4295 |
| 035 | _a(OCoLC)227931905 | ||
| 040 |
_aUKM _beng _cUKM _dDLC _dBAUN _dBTCTA _dYDXCP _dBAKER _dDEBBG _dC#P _dBWX _dCDX _dHEBIS _dOBE _dIG# _dA7U _dMNW _dBDX _dOCL _dBAUN _erda |
||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 4 |
_aArt/N6797.C63 _bC53 2010 |
|
| 100 | 1 | _aClarkson, Jonathan. | |
| 245 | 1 | 0 |
_aConstable / _cJonathan Clarkson. |
| 264 | 1 |
_aLondon ; _aNew York : _bPhaidon, _c2010. |
|
| 300 |
_a223 pages : _bcol. illustrations, maps (some color) ; _c30 cm. |
||
| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
||
| 338 |
_2rdacarrier _avolume _bnc |
||
| 504 | _aIncludes bibliographical references (pages 220-221) and index. | ||
| 505 | 0 |
_tCareless boyhood: growing up in East Bergholt _t--Running after pictures: student life in London _t--Obscurity: life as a minor artist _t--The light of nature: oil sketching in the open air _t--Ambition: six-footers and set-pieces _t--Beyond Constable country: Salisbury, Hampstead, Brighton _t--Harlequin: the story of Waterloo Bridge _t--The face of the world is totally changed to me: bereavement and professional recognition _t--Rediscovery and reinvention: critics and supporters. |
|
| 520 | _aJohn Constable (1776-1837) exerted a major influence upon the development of landscape painting and Realism in the nineteenth century, while his depictions of the English countryside have become an enduring part of our collective imagination, ensuring his fame both at home and abroad. Among the first artists to consistently exploit the possibilities of painting in the open air, Constable had a passion for the natural world around him, capturing its beauty in oil paintings of unprecedented brilliance---their sparkling vigour in contrast to his nostalgic sense of the rural scene and its inhabitants. Constable's groundbreaking vision exploited contemporary advances in the natural sciences to achieve striking technical innovations, even as it celebrated a local world that was fast disappearing in the face of industrialization and modernity. Jonathan Clarkson's accessible yet inquiring appraisal of Constable's art presents incisive commentary on all his celebrated masterpieces, such as The Hay Wain and The Leaping Horse, alongside a rich selection of lesser known drawings, studies, portraits and oil sketches. Constable's life, work and theories emerge with a fresh clarity in this comprehensive new study. | ||
| 600 | 1 | 0 |
_aConstable, John, _d1776-1837. _9113353 |
| 650 | 0 |
_aLandscape painting, English _y19th century. |
|
| 650 | 0 |
_aLandscape drawing, English _y19th century. |
|
| 700 | 1 |
_aConstable, John, _d1776-1837. |
|
| 710 | 2 |
_9111626 _aPhaidon Press |
|
| 942 |
_2lcc _cKT |
||
| 999 |
_c38893 _d38893 |
||