000			03403cam a2200373 a 4500
001			41190
003			BAUN
005			20240114201333.0
008			110608s2011 nyum b a001 0 eng
010			_a2011024612
020			_a9780789211040 _qhardcover : alk. paper
020			_a0789211041 _qhardcover : alk. paper
024	8		_a99953728633
035			_a(OCoLC)701019396
040			_aDLC _beng _cDLC _dBTCTA _dYDXCP _dUKMGB _dSYB _dPUL _dERASA _dCDX _dC#P _dBDX _dUBY _dMNY _dBWX _dJYJ _dOCLCA _dA7U _dOCLCA _dYUS _dMOF _dOSS _dBAUN _erda
041	1		_aeng _hfre
049			_aBAUN_MERKEZ
050	0	0	_aArt/ND673.B73 _bS53 2011
100	1		_aSilver, Larry, _d1947-
245	1	0	_aPieter Bruegel / _cLarry Silver.
250			_a1st ed.
264		1	_aNew York : _bAbbeville Press Publishers, _c2011.
300			_a464 pages : _billustrations (mostly color) ; _c34 cm.
336			_2rdacontent _atext _btxt
337			_2rdamedia _aunmediated _bn
338			_2rdacarrier _avolume _bnc
500			_aSimultaneously published in Paris, France in 2011 by {201}ditio-{201}ditions Citadelles and Mazenod.
504			_aIncludes bibliographical references (pages 438-460) and indexes.
505	0		_tGod in the details : Christ carrying the cross (1564) _t--Bruegel in Antwerp _t--Hieronymus Cock, Bruegel's printmaker _t--Bruegel as landscape architect _t--The "second Bosch" : Bruegel adapts a tradition _t--Parables, proverbs, pastimes _t--Religion and tradition : Antwerp, early 1560s _t--Religious imagery in a time of troubles _t--Peasant labor and leisure _t--Social stresses and strains _t--Bruegel's legacy _t--Conclusions.
520			_aThe exciting recent rediscovery in Spain of a missing canvas by Pieter Bruegel the Elder (circa 1525-69) has jolted a revived public awareness of the great Flemish painter and his work. Best known for his amusing depictions of peasants, landscapes, and Bosch-like fantasies, Bruegel also created a wide range of highly original interpretations of religious themes in an era marked by religious controversies. Over a career of two decades as both a printmaker and a painter, he found his artistic niche in Europe's leading center of international trade, the emerging capital of capitalism, Antwerp. All of Bruegel's drawings, prints, and paintings on both canvas and panel - including the new Madrid canvas - are examined for form and content with comprehensive analysis. In addition, interpretation of the full range of Flemish paintings and prints during his generation is presented through the lens of Hieronymus Cock, Bruegel's own print publisher, "At the Sign of the Four Winds". Within this spectrum Bruegel's uniqueness and mastery emerges clearly. While scholars will appreciate the novel insights of this comprehensive re-examination of Pieter Bruegel, its highly accessible text will introduce newcomers and the general public to the delights of this inventive, trenchant, yet often amusing visual commentator on the human condition. All readers will relish the large-scale reproductions and frequent details in full color of his entire oeuvre in all media. This handsome, largescale volume will form the definitive study and accessible introduction to the life and art of Pieter Bruegel.
600	1	0	_aBruegel, Pieter, _dapproximately 1525-1569 _xCriticism and interpretation. _9113138
700	1		_aBruegel, Pieter, _dapproximately 1525-1569. _9113137
942			_2lcc _cKT
999			_c38933 _d38933