000			03810cam a22004937i 4500
001			44152
008			160826t20162016gw a bc 000 0dger c
010			_a 2016446811
020			_a9789000066193 _q(hardback)
020			_a9000066190 _q(hardback)
020			_a9783836539210 _qbook trade edition _q(hd. bd.)
020			_a3836539217 _q(book trade edition ; _qhd. bd.)
024	3		_a9783836539210
035			_a(OCoLC)ocn957992639
040			_aWW9 _beng _cWW9 _erda _dOCLCO _dYDXCP _dBDX _dBTCTA _dERASA _dOSU _dOCLCO _dOHX _dOCLCF _dOCLCO _dUBY _dCNNGC _dGZM _dOCLCQ _dDLC _dBAUN
041	0		_aeng _ager _afre
043			_ae-au---
049			_aBAUN_MERKEZ
050	0	0	_aArt/NE1095 _b.A77 2016
245	0	0	_aArt for all : _bder Farbholzschnitt in Wien um 1900 = the colour woodcut in Vienna around 1900 = la gravure sur bois en couleur à Vienne vers 1900 / _cedited by Tobias G. Natter, Max Hollein, Klaus Albrecht Schröder.
246	3		_aColor woodcut in Vienna around 1900
246	3		_aGravure sur bois en couleur à Vienne vers 1900
264		1	_aKoln : _bTaschen, _c[2016]
264		4	_c©2016
300			_a413 pages : _bcolor illustrations ; _c38 cm
336			_atext _btxt _2rdacontent
336			_astill image _bstill image _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aCatalog of the exhibition in Schirn Kunsthalle Frankfurt, 6 July - 3 October, 2016, and Albertina Wien, 19 October, 2016 - 22 January, 2017.
504			_aIncludes bibliographical references.
520			_aAt the turn of the 20th century, amid the domed grandeur of Vienna, a group of Secession artists reclaimed the humble woodblock. The gesture, though short-lived, and long overlooked by established art histories, may be seen as a decisive social, as well as aesthetic, moment. Elevating a primarily illustrative, mass-production medium to the status of fine art, the woodblock revival set a formal precedent for Expressionism while democratizing an art for all. Coinciding with the travelling exhibition through the Schirn Kunsthalle, Frankfurt and Albertina, Vienna, this Taschen edition brings together leading examples of the Viennese woodblock renaissance to give a long overdue exploration of its achievements and influence. Through prints, publications, calendars and pages from Ver Sacrum, the official magazine of the Vienna Secession, it gathers works remarkable for their graphic and chromatic intensity, and vital with the traces of japonisme as much as the stylistic seeds of Die Brucke, Der Blaue Reiter and later Expressionist movements. Through figure studies, landscapes, patterns, and typographical treasures, the featured works are accompanied by detailed captions, as well as essays exploring their aesthetic and ideological implications, and biographies for the more than 40 artists. Examining their stark contours, stylization of the surface per se, and tendency towards contained color areas we evaluate the Viennese woodblocks as essential harbingers, and benchmarks, of the 20th century modernism to come. At the same time, we assess how the dissemination of the woodblock substantiated the Seccessionist claim for a democratized, all-encompassing art, while adding to their reappraisal of originality, and authenticity, and convention.
546			_aIn German, English, and French.
650		0	_aWood-engraving _zAustria _zVienna _y20th century _vExhibitions.
650		0	_aWood-engraving _zAustria _zVienna _xHistory.
650		0	_aExpressionism (Art)
650		0	_aColor prints.
700	1		_aNatter, Tobias G. _q(Tobias Günter),
700	1		_aHollein, Max,
700	1		_aSchr�oder, Klaus Albrecht,
710	2		_9111566 _aSchirn Kunsthalle Frankfurt
710	2		_9105107 _aGraphische Sammlung Albertina
942			_2lcc _cKT
999			_c43105 _d43105