000			03871cam a22003017i 4500
001			44155
008			130911s2014 caua bq 000 0 eng
010			_a 2013033458
020			_a9781615931699 _q(paperback)
035			_a(OCoLC)
040			_aDLC _beng _cDLC _erda _dBAUN
049			_aBAUN_MERKEZ
050	0	0	_aPN1995.9.P7 _bB3243 2014
082	0	0	_223
100	1		_aBays, Jeffrey Michael, _d1977-
245	1	0	_aBetween the scenes : _bwhat every film director, writer, and editor should know about scene transitions / _cJeffrey Michael Bays.
264		1	_aStudio City, CA : _bMichael Wiese Productions, _c[2014]
300			_axiv, 137 pages : _billustrations ; _c20 x 28 cm
336			_atext _2rdacontent _btxt
337			_aunmediated _2rdamedia _bn
338			_avolume _2rdacarrier _bnc
504			_aIncludes bibliographical references (pages 133-135).
504			_aIncludes filmography.
505	8		_aMachine generated contents note: TABLE OF CONTENTS _t-- Introduction _t-- How To Use This Book _t-- Looking at Films in a new Way _t-- From Instinct to Craft _t-- The Hidden Art: Why nobody notices _t-- 1. WHAT IS A SCENE TRANSITION? _t-- On the Set _t-- Anatomy of a Scene Transition _t-- Choices at the Transition _t-- The Life of a Scene Transition _t-- Six Major Transitions _t-- Transitions Between Sequences and Scenes _t-- Grab your Script _t-- 2. CHOOSING LOCATIONS THAT COLLIDE _t-- Scenequakes _t-- Collision with oppositions _t-- Sudden Absence _t-- Add More Drama to Boundaries _t-- Mental Maps _t-- Single Location Films _t-- 3. TYING YOUR EVENTS TOGETHER _t-- The Train _t-- Linking Through Similarity _t-- The Wright Wipe _t-- The Hook _t-- Linking Multiple Plots _t-- 4. EMOTIONAL PEAK: CHARACTER ON THE MOVE _t-- On the Move _t-- Looking at the Script _t-- Anatomy of Character at the Scene Change _t-- Emotional Ingredients _t-- To Show It or not to Show It _t-- If It's not in the Script _t-- Dialogue in Motion _t-- Adding Other Characters _t-- 5. EMOTIONAL EBB: SCENERY AND RELIEF _t-- Give Them a Break _t-- The Cinematic Ebb _t-- Variations in Camera Proximity _t-- The Audience Thinking and Feeling _t-- Connecting to Audience Feeling _t-- Uses of Scenery _t-- Objects, Motifs, Symbols _t-- Other Ways of Relief _t-- Storyteller's Attitude _t-- 6. MUSIC AND TRANSITIONS _t-- Silence _t-- Mechanical Uses of Music _t-- Telling the Story With Music _t-- Variations of Transformation Tactics _t-- Using Pre-Recorded Songs _t-- The Role of Lyrics _t-- 7. PUZZLING THE SCENES TOGETHER _t-- Tension and Release _t-- Scenes and their Flow _t-- Looking at the Script _t-- Deleted Scenes _t-- Fragmentation and Crescendo _t-- Intensity of Transitions _t-- Types of Transitional Scenes _t-- Bridging Them All Together _t-- 8. THE TIME MACHINE _t-- Storytelling is Abbreviation _t-- Ways to Show Time Manipulation _t-- Transitional Editing Speed _t-- Other Time Styles _t-- When not to Show Time _t-- Gestalt's Cousin _t-- 9. CASE STUDY: RIDLEY SCOTT'S GLADIATOR _t-- The Longest Transition Ever _t-- Maximus Escapes Execution _t-- Sleeping Through the Night _t-- Crosscutting To Family's Murder _t-- The Big reaction _t-- Carried to Zucchabar _t-- 10. TELEVISION VS. FEATURE FILM TRANSITIONS _t-- Film and TV Differences _t-- Commercial Breaks _t-- Multiple Plots _t-- The Future of Storytelling.
520			_a"Between the Scenes delivers a fresh approach to film directing, screenwriting, and editing. once you've got your scenes planned out, this book steps in by shifting your focus to how your individual sequences and scenes connect to each other. you'll find new ways to create emotional feelings in your audience. From location choices, to character movement between scenes, to the use of music, scene transitions are where the meat is in your story, and now you'll discover a new pallet of creative possibilities. "--
650		0	_aMotion pictures _xProduction and direction.
942			_2lcc _cKT
999			_c43109 _d43109