000			03099cam a22004457i 4500
001			44236
008			151002t20162016enka e b 001 0 eng c
010			_a2015953619
020			_a9780500239469 _qhardback
020			_a0500239460 _qhardback
035			_a(OCoLC)ocn948183270
040			_aNz _beng _cNZWHC _erda _dOCLCO _dOCLCQ _dUAB _dOCLCO _dOSU _dOCLCF _dOCLCO _dERASA _dBDX _dYDXCP _dCDX _dOQX _dCHVBK _dOCLCO _dUX0 _dCNNGC _dOCLCO _dVP@ _dDLC _dBAUN
049			_aBAUN_MERKEZ
050	0	0	_aN71 _b.B673 2016
100	1		_aBorzello, Frances,
245	1	0	_aSeeing ourselves : _bwomen's self-portraits / _cFrances Borzello.
250			_aUpdated and revised edition.
264		1	_aLondon : _bThames & Hudson, _c2016.
264		4	_c©2016
300			_a271 pages : _billustrations (some color) ; _c24 cm
336			_atext _btxt _2rdacontent
336			_astill image _bstill image _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aOriginally published : London : Thames and Hudson, 1998.
504			_aIncludes bibliographical references and index.
505	0	0	_aMachine generated contents note: _g1. _tSixteenth Century -- _tIn the beginning -- _g2. _tSeventeenth Century -- _tnew self-confidence -- _g3. _tEighteenth Century -- _tProfessionals and amateurs -- _g4. _tNineteenth Century -- _topening door -- _g5. _tTwentieth Century -- _tBreaking taboos -- _g6. _tInto the Future -- _tfeminist impact.
520	8		_aThis richly diverse exploration of female artists and self-portraits is a brilliant and poignant demonstration of originality in works of haunting variety. The two earliest self-portraits come from 12th-century illuminated manuscripts in which nuns gaze at us across eight centuries. In 16th-century Italy, Sofonisba Anguissola paints one of the longest series of self-portraits, spanning adolescence to old age. In 17th-century Holland, Judith Leyster shows herself at the easel as a relaxed, self-assured professional. In the 18th century, artists from Elisabeth Vigee-Lebrun to Angelica Kauffman express both passion for their craft and the idea of femininity; and in the 19th the salons and art schools at last open their doors to a host of talented women artists, including Berthe Morisot, ushering in a new and resonant self-confidence. The modern period demolishes taboos: Alice Neel painting herself nude at eighty, Frida Kahlo rendering physical pain, Cindy Sherman exploring identity, Marlene Dumas dispensing with all boundaries. The full verve of Frances Borzello's enthralling text, and the hypnotic intensity of the accompanying self-portraits, is revealed to the full in a completely revised edition of this inspiring book.
650		0	_aWomen artists.
650		0	_aWomen artists _xPsychology.
650		0	_aWomen artists _xPortraits.
650		0	_aSelf-perception in women.
650		0	_aSelf-portraits.
650		6	_aFemmes artistes.
650		6	_aFemmes artistes _xPsychologie.
650		6	_aFemmes artistes _vPortraits.
650		6	_aPerception de soi chez la femme.
650		6	_aAutoportraits.
942			_2lcc _cKT
999			_c43183 _d43183