| 000 | 05579cam a22005297i 4500 | ||
|---|---|---|---|
| 001 | 44289 | ||
| 008 | 161205s2017 ie a bc 001 0 eng | ||
| 010 | _a 2016055757 | ||
| 020 |
_a9780300222937 _q(hardback) |
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| 020 |
_a9780300222937 _qhardback |
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| 020 |
_a0300222939 _qhardback |
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| 020 |
_a9780300229585 _q(paperback) |
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| 020 |
_a9780300229592 _q(paperback) |
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| 020 |
_a0300229593 _q(paperback) |
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| 035 | _a(OCoLC) | ||
| 035 |
_a(OCoLC)965753910 _z(OCoLC)953885455 |
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| 040 |
_aDLC _beng _erda _cDLC _dDLC _dBAUN |
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| 043 | _ae-ne--- | ||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aArt/ND1452.N43 _bV47 2017 |
| 082 | 0 | 0 | _223 |
| 245 | 0 | 0 |
_aVermeer and the masters of genre painting : _binspiration and rivalry / _cAdriaan E. Waiboer, with Arthur K. Wheelock, Jr and Blaise Ducos ; with contributions by Piet Bakker, Quentin Buvelot, E. Melanie Gifford, Lisha Deming Glinsman, Eddy Schavemaker, Eric Jan Sluijter, Marjorie E. Wieseman. |
| 264 | 1 |
_aDublin : _bNational Gallery of Ireland ; _aWashington : National Gallery of Art ; _aParis : Musée du Louvre, _c[2017] |
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| 264 | 2 |
_aNew Haven : _bYale University Press |
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| 264 | 1 |
_aDublin : _bNational Gallery of Ireland ; _aWashington : National Gallery of Art ; _aParis : Musée du Louvre, _c[2017] |
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| 300 |
_axv, 304 pages : _billustrations ; _c30 cm |
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| 336 |
_atext _btxt _2rdacontent |
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| 336 |
_astill image _2rdacontent _btxt |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIssued in connection with an exhibition held Feb. 20-May 2017, Musée du Louvre, Paris; June 17-Sept. 17, 2017, National Gallery of Ireland, Dublin; and Oct. 22, 2017-Jan. 21, 2018, National Gallery of Art, Washington. | ||
| 500 | _aIssued in connection with an exhibition held Feb. 20-May 2017, Musée du Louvre, Paris; June 17-Sept. 17, 2017, National Gallery of Ireland, Dublin; and Oct. 22, 2017-Jan. 21, 2018, National Gallery of Art, Washington. | ||
| 504 | _aIncludes bibliographical references (pages 292-298) and index. | ||
| 505 | 0 | 0 |
_tEssays _t-- 1. Vermeer and the masters of genre painting _r/Adriaan E. Waiboer _t-- 2. Erudition and artistry: The enduring appeal of Dutch genre painting _r/Arthur K. Wheelock _t-- 3. Emulative imitation among high-life genre painters _r/Eric Jan Sluijter _t-- 4. Acquisition or inheritance?: Material goods in paintings by Vermeer and his contemporaries _r/Marjorie E. Wieseman _t-- 5. Collective style and personal manner: Materials and techniques of high-life genre painting _r/E. Melanie Gifford and Lisha Deming Glinsman _t-- 6. Painters of and for the elite: Relationships, prices and familiarity with each other's work _r/Piet Bakker _t-- 7. The 'Tour of Holland': Visitors from abroad in the United Provinces _r/Blaise Ducos _t-- Catalogue _t-- 1. Corresponding love _r/Adriaan E. Waiboer _t-- 2. Pen to paper _r/Arthur K. Wheelock, Jr. _t-- 3. Musical duos _r/Eric Jan Sluijter _t-- 4. Inviting duets _r/Marjorie E. Wieseman _t-- 5. Strings attached _r/Adriaan E. Waiboer _t-- 6. Private vanity _r/Arthur K. Wheelock, Jr. _t-- 7. Reflections _r/Arthur K. Wheelock, Jr. _t-- 8. Innocence and experience _r/Adriaan E. Waiboer _t-- 9. The food of love _r/Quentin Buvelot _t-- 10. Under the influence _r/Quentin Buvelot _t-- 11. Heartache _r/Eddy Schavemaker _t-- 12. Tickled sleep _r/Eddy Schavemaker _t-- 13. Birds of a feather _r/Adriaan E. Waiboer _t-- 14. On balance _r/Arthur K. Wheelock, Jr. _t-- 15. Interlacings _r/Blaise Ducos _t-- 16. Inspired by youth _r/Adriaan E. Waiboer _t-- 17. Maids and morals _r/Blaise Ducos _t-- 18. Reaching for the stars _r/Blaise Ducos _t-- 19. Back to the viewer _r/Arthur K. Wheelock, Jr. _t-- 20. Drawn to Ter Borch _r/Eddy Schavemaker _t-- 21. Doorkijkjes _r/Eddy Schavemaker _t-- 22. Social climbers _r/Adriaan E. Waiboer. |
| 520 | _a"A landmark exploration of the engaging network of relationships among genre painters of the Dutch Golden Age The genre painting of the Dutch Golden Age between 1650 and 1675 ranks among the highest pinnacles of Western European art. The virtuosity of these works, as this book demonstrates, was achieved in part thanks to a vibrant artistic rivalry among numerous first-rate genre painters working in different cities across the Dutch Republic. They drew inspiration from each other's painting, and then tried to surpass each other in technical prowess and aesthetic appeal. The Delft master Johannes Vermeer (1632-1675) is now the most renowned of these painters of everyday life. Though he is frequently portrayed as an enigmatic figure who worked largely in isolation, the essays here reveal that Vermeer's subjects, compositions, and figure types in fact owe much to works by artists from other Dutch cities. Enlivened with 180 superb illustrations, Vermeer and the Masters of Genre Painting highlights the relationships - comparative and competitive - among Vermeer and his contemporaries, including Gerrit Dou, Gerard ter Borch, Jan Steen, Pieter de Hooch, Gabriel Metsu, and Frans van Mieris"-- | ||
| 650 | 0 |
_aGenre painting, Dutch _y17th century _9106860 |
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| 650 | 0 |
_aPainters _xProfessional relationships _zNetherlands _xHistory _y17th century _vExhibitions _9106862 |
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| 650 | 0 |
_aVermeer, Johannes, _d1632-1675 _vExhibitions. |
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| 700 | 1 |
_aWaiboer, Adriaan E. _920854 _ectb |
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| 700 | 1 |
_aWheelock, Arthur K., _cJr., _d1943- _9106865 _ectb |
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| 700 | 1 |
_aDucos, Blaise _9106864 _ectb |
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| 710 | 2 |
_9106863 _aMusee du Louvre |
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| 710 | 2 |
_920831 _aNational Gallery of Ireland |
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| 710 | 2 |
_920830 _aNational Gallery of Art (U.S.) |
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| 710 | 2 |
_9106863 _aMusee du Louvre |
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| 942 |
_2lcc _cKT |
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| 999 |
_c43230 _d43230 |
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