| 000 | 02408nam a2200373 i 4500 | ||
|---|---|---|---|
| 001 | 45362 | ||
| 008 | 971021s1998 nyum b a001 0 eng | ||
| 020 |
_a0810940213 _q(clothbound) |
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| 020 |
_a9780810940215 _q(clothbound) |
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| 020 | _a0870700782 | ||
| 020 | _a9780870700781 | ||
| 020 | _a0810927578 | ||
| 020 | _a9780810927575 | ||
| 035 | _a(OCoLC)37884797 | ||
| 040 |
_aDLC _beng _cDLC _dRSD _dC#P _dBAKER _dNLGGC _dMUQ _dBTCTA _dYDXCP _dCNCGM _dOCLCF _dUKTTE _dOCLCQ _dUtOrBLW _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aArt/ND553.B65 _bW45 1998 |
| 082 | 0 | 0 | _221 |
| 100 | 1 |
_aWhitfield, Sarah, _d1942- _9114716 _eaut |
|
| 245 | 1 | 0 |
_aBonnard / _cessays by Sarah Whitfield and John Elderfield ; catalogue by Sarah Whitfield. |
| 264 | 1 |
_aNew York, N.Y. : _bHarry N. Abrams, _c1998. |
|
| 300 |
_a269 pages : _billustrations (some color) ; _c31 cm. |
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| 336 |
_atext _btxt _2rdacontent. |
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| 337 |
_aunmediated _bn _2rdamedia. |
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| 338 |
_avolume _bnc _2rdacarrier. |
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| 500 | _aPublished to accompany the exhibition ... held at the Tate Gallery, 12 February-17 May 1998 and at the Museum of Modern Art, 17 June-13 October 1998. | ||
| 504 | _aIncludes bibliographical references (pages 264-265) and index. | ||
| 520 | 1 | _a"Pierre Bonnard (1867-1947) is among the most enigmatic of the great masters of twentieth-century painting. In this book, Sarah Whitfield and John Elderfield bring a new understanding to his deeply serious, complex paintings." "Published to accompany a major retrospective exhibition at the Tate Gallery, London, and at The Museum of Modern Art, New York, Bonnard features two important essays based on much fresh research. Sarah Whitfield, curator of the exhibition, discusses the legacy of the Symbolism of Bonnard's early years and the way in which his acceptance of nature's surrender to time finds expression in the grand elegiac paintings of the later period. John Elderfield, curator of the exhibition at The Museum of Modern Art, writes about Bonnard's awareness of the complexities of visual perception, and how crucial an understanding of this is to fully comprehending his stature as a painter."--Jacket. | |
| 600 | 1 | 0 |
_aBonnard, Pierre, _d1867-1947 _xCriticism and interpretation. _9113112 |
| 700 | 1 |
_aElderfield, John _922497 |
|
| 710 | 2 |
_9111651 _aTate Gallery. _bTrustees |
|
| 710 | 2 |
_921332 _aMuseum of Modern Art (New York, N.Y.) |
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| 942 |
_2lcc _cKT |
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| 999 |
_c45628 _d45628 |
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