000			04077nam a2200469 i 4500
001			45386
008			151127s2016 maum bc a000 0 eng d
010			_a2015960686
020			_a9780300219999 _q(paperback)
020			_a0300219997 _q(paperback)
035			_a(OCoLC)
040			_aERASA _beng _erda _cERASA _dYDXCP _dBTCTA _dOCLCQ _dOCLCO _dCAM _dNMWMA _dMUU _dJPG _dOCLCO _dOCLCF _dOCLCO _dBAUN
043			_ae-gx---
049			_aBAUN_MERKEZ
050		4	_aArt/N6888.K62 _bA4 2016
100	1		_aKollwitz, Kathe, _d1867-1945 _979483 _eaut
240	1	0	_aWorks. _kSelections.
245	1	0	_aKäthe Kollwitz and the women of war : _bfemininity, identity, and art in Germany during World Wars I and II / _cedited by Claire C. Whitner.
246	3	0	_aFemininity, identity, and art in Germany during World Wars I and II.
264		1	_aWellesley, MA : _bDavis Museum at Wellesley College, _c[2016]
264		2	_aNew Haven, CT : _bYale University Press.
264		4	_c©2016.
300			_a143 pages : _billustrations (some color) ; _c28 cm.
336			_atext _btxt _2rdacontent.
336			_astill image _2rdacontent. _btxt
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
500			_aPublished in conjunction with the exhibitions The Krieg Cycle: Käthe Kollwitz and World War I, 16 September-13 December 2015 at the Davis Museum at Wellesley College, curated by Claire C. Whitner; and Mothers' Arms: Käthe Kollwitz's Women and War at the Smith College Museum of Art, 29 January-29 May 2016, curated by Henriëtte Kets de Vries.
504			_aIncludes bibliographical references (pages 135-137)
505	0	0	_tDirectors' Foreword / _rLisa Fischman and Jessica Nicoll -- _tEditor's Foreword / _rClaire C. Whitner -- _tMothers' Arms: Käthe Kollwitz's Women and War / _rHenriëtte Kets de Vries -- _t"They were all deceived": Art, Women, and Propaganda in the Life and Work of Käthe Kollwitz / _rJoseph McVeigh -- _tKäthe Kollwitz and "Boasting Virility" at Smith College's Museum of Art / _rDarcy C. Buerkle -- _tPlates -- _tKäthe Kollwitz and the "Krieg" Cycle: The Genesis, Creation, and Legacy of an Iconic Print Series / _rClaire C. Whitner -- _t"Enough have died! No more shall perish!": Käthe Kollwitz and World War I / _rAnnette Seeler; Claire C. Whitner, translator -- _tGrief Reserved for the Mother: Käthe Kollwitz's "Krieg" Cycle and Gender in the Weimar Republic / _rAnjeana K. Hans -- _tWorks Cited -- _tChecklists.
520	8		_aThe art of German printmaker and sculptor Kathe Kollwitz (1867-1945) is famously empathetic; Kollwitz imbued her prints, drawings, and sculpture with eloquent and often painful commentary on the human condition, especially the horrors of war. This insightful book, the first English-language catalogue on Kollwitz in more than two decades, offers the singular opportunity to examine her work against the tumultuous backdrop of World Wars I and II. The societal cost of war became an enduring subject for Kollwitz after her youngest son died on the battlefield in Flanders in 1914. She dedicated much of the remainder of her career to creating images that questioned the efficacy of war, exposed its devastation, and promoted peace. The essays discuss the motifs she developed in this pursuit-young widows, grieving parents alongside maternal figures that serve as defenders, guardians, activists, and mourners-within the context of German visual culture from 1914 to 1945. 0Exhibition: Davis Museum at Wellesley College, Wellesley, USA (16.09-20.12.2015)
600	1	0	_aKollwitz, Kathe, _d1867-1945 _vExhibitions. _9114765
650		0	_aWorld War, 1914-1918 _zGermany _xIn art _vExhibitions. _9114766
650		0	_aWorld War, 1939-1945 _zGermany _vArt and the war _vExhibitions. _9114777
650		0	_aMotherhood in art _y20th century _vExhibitions. _9114778
650		0	_aArt, German _y20th century _vExhibitions _976443
700	1		_aWhitner, Claire C. _9114779 _eedt
710	2		_9111646 _aDavis Museum and Cultural Center
710	2		_9112018 _aSmith College. _bMuseum of Art
942			_2lcc _cKT
999			_c45696 _d45696