| 000 | 02804nam a2200481 i 4500 | ||
|---|---|---|---|
| 001 | 45429 | ||
| 008 | 151030t20152015gw m b a001 0 eng d | ||
| 020 |
_a9783836545303 _q(hbk.) |
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| 020 |
_a3836545306 _q(hbk.) |
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| 035 | _a(OCoLC) | ||
| 040 |
_aOHX _beng _erda _cOHX _dYDXCP _dDPL _dOMB _dOCLCF _dXFF _dUAB _dOCLCQ _dJPG _dBDX _dUtOrBLW _dBAUN |
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| 041 | 1 |
_aeng _afre _ager _heng _hfre _hger |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 4 |
_aArt/NC1002.L63 _bM655 2015 |
|
| 082 | 0 | 4 | _223 |
| 100 | 1 |
_aMüller, Jens, _d1982- |
|
| 245 | 1 | 0 |
_aLogo modernism / _cJens Müller, Julius Wiedemann (edition) ; essay by R. Roger Remington ; English translation: Isabel Varea Riley ; German translation: Ursula Wulfekamp ; French translation: Wolf Fruhtrunk. |
| 264 | 1 |
_aKöln : _bTaschen, _c[2015] |
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| 264 | 4 | _c©2015. | |
| 300 |
_a432 pages : _billustrations (some color) ; _c38 cm. |
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| 336 |
_astill image _bstill image _2rdacontent. |
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| 336 |
_atext _btxt _2rdacontent. |
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| 337 |
_aunmediated _bn _2rdamedia. |
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| 338 |
_avolume _bnc _2rdacarrier. |
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| 504 | _aIncludes bibliographical references (pages 427-429) and index. | ||
| 505 | 0 | 0 |
_t-- Logo _r/ Jens Müller _t-- Viva modernism! _r/ R. Roger Remington _t-- Geometric : Angular ; Arrow ; Basic forms ; Circle ; Case study : Daiei ; Cross ; Dots ; Figurative ; Lines ; Case study: Mexico '68 ; Skewed ; Case study: Fiat ; Round ; Square ; Triangle _t-- Effect : Cut-off ; Case study : Claude Neon ; Split ; Duplication ; Grid ; Reflection ; Outline ; Overlay ; Positive/negative ; Case study : De Ploeg ; Rotation ; Three-dimensional ; White on black _t-- Typographic : A to Z ; Case study : Atlas Film ; Opened-up letters ; Case study : London Electricity Board ; Two letters ; Three letters ; Case study : Deutscher Taschenbuch Verlag ; Words _t-- Profiles : Adrian Frutiger ; Paul Ibou ; Yusaku Kamekura ; Stefan Kanchev ; Burton Kramer ; Paul Rand ; Karol Śliwka ; Anton Stankowski. |
| 520 | _a"Examine Modernism's distillation in graphic design with this vast collection of approximately 6,000 logos from 1940-1980. Ranging from media outfits to retail giant, airlines to art galleries, these clean, clear logo concepts may be seen as the visual birth of corporate identity"--Jacket. | ||
| 546 | _aText in English, French, and German. | ||
| 650 | 0 |
_aLogotypes (Printing) _vPictorial works. |
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| 650 | 0 |
_aLogos (Symbols) _vPictorial works. |
|
| 650 | 0 |
_aTrademarks _vPictorial works. |
|
| 650 | 0 | _aLogotypes (Printing) | |
| 650 | 0 | _aLogos (Symbols) | |
| 650 | 0 | _aCommercial art. | |
| 650 | 0 | _aAdvertising. | |
| 700 | 1 | _aWiedemann, Julius, | |
| 700 | 1 | _aRemington, R. Roger, | |
| 700 | 1 | _aVarea Riley, Isabel, | |
| 700 | 1 | _aWulfekamp, Ursula, | |
| 700 | 1 | _aFruhtrunk, Wolf, | |
| 710 | 2 |
_9111498 _aTaschen (Firm) |
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| 942 |
_2lcc _cKT |
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| 999 |
_c45702 _d45702 |
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