000			08367nam a2200385 i 4500
001			45396
008			160322s2016 maum b a001 0 eng
010			_a2016008327
020			_a9780262034753 _q(hardcover ; Mirakıl Veri İşleme _qalk. paper)
020			_a0262034751 _q(hardcover ; alk. paper)
035			_a(OCoLC)945549955
040			_aDLC _beng _erda _cDLC _dBDX _dYDXCP _dBTCTA _dOCLCF _dERASA _dZWZ _dYDX _dUBY _dOCLCQ _dSOI _dOMB _dOBE _dBAUN
049			_aBAUN_MERKEZ
050	0	0	_aN7433.915 _b.P73 2016
082	0	0	_223
245	0	0	_aPracticable : _bfrom participation to interaction in contemporary art / _cedited by Samuel Bianchini and Erik Verhagen ; with the collaboration of Nathalie Delbard and Larisa Dryansky.
264		1	_aCambridge, MA : _bThe MIT Press, _c[2016]
264		4	_c©2016.
300			_axv, 930 pages ; _c24 cm.
336			_atext _btxt _2rdacontent.
337			_aunmediated _bn _2rdamedia.
338			_avolume _bnc _2rdacarrier.
490	1		_aLeonardo.
504			_aIncludes bibliographical references (pages 809-848) and index.
505	0	0	_tIntroduction : Practicable: art in the conditional _r/ Samuel Bianchini and Erik Verhagen _t-- I. From cybernetics onward : Gordon Pask's cybernetic systems: conversations after the end of the mechanical age _r/ Margit Rosen _t-- The artist as homo arbiter formae: art and interaction in Jack Burnham's systems essays _r/ Luke Skrebowski _t-- Two decades of interactive art: digital technologies and human experience _r/ Simon Penny _t-- II. Art scenes and movements in search of participation : Against the spectacle: the construction of situations _r/ Vanessa Theodoropoulou _t-- From program to behavior: the experience of Arte Programmata in Italy, 1958-1968 _r/ Emanuele Quinz _t-- "The breath is up to you": on some works by Hélio Oiticica, Lygia Clark, and Lygia Pape _r/ Glória Ferreira _t-- À la recherche d'un nouveau spectateur: the function and significance of play in the participatory environments of the Groupe de Recherche d'Art Visuel _r/ Marion Hohlfeldt _t-- Katsuhiro Yamaguchi: performances and environments _r/ Christophe Charles _t-- Tactical media and the aesthetics of participation _r/ Eric Kluitenberg _t-- III. From the vantage point of the humanities and social sciences : Echoes of pragmatism in current artistic practices _r/ Jean-Pierre Cometti _t-- Art/anthropology interventions _r/ Arnd Schneider _t-- Habitable: spectator participation in everyday life _r/ Anna Dezeuze _t-- From the practice of roles to the facts of consciousness: art and its qualities _r/ Pierre-Damien Huyghe _t-- Collaborating and participating: a connection worth examining _r/ Véronique Goudinoux _t-- Public operation: net art, sociology, and practicable media _r/ Jean-Paul Fourmentraux _t-- The contractual definition of the work of art: a contribution to the discussion of the dispositif in art _r/ Judith Ickowicz _t-- IV. Art in action: on performance : Why participate?: On the concrete experience of participatory performances _r/ Katrin Gattinger _t-- Haptic vision: the female body and "practicable" art _r/ Giovanna Zapperi _t-- Traveling microbus hordes: a mobile audience _r/ Diedrich Diederichsen _t-- Demo n.0 _r/ Peter Lunenfeld _t-- V. Bringing about interaction, grasping, and seeing: exhibiting practicable works of art : Toward a dramaturgy of interactivity _r/ Jean-Louis Boissier _t-- Stop, drop, and roll with it: curating participatory media art _r/ Sarah Cook _t-- Taking hold of images: some thoughts on the free handling of photographs in contemporary art _r/ Nathalie Delbard _t-- VI. Some key works: case studies : Robert Rauschenberg's Oracle: "a laboratory for testing perceptions" _r/ Christophe Leclercq _t-- Lygia Clark's Caminhando _r/ Anna Dezeuze _t-- Charlotte Posenenske: mimetic minimalism and practicability _r/ Renate Wiehager _t-- The artwork as password: on some pieces by Piotr Kowalski _r/ Jean Christophe Bailly _t-- Robert Morris's Bodyspacemotionthings : participation reenacted _r/ Catherine Wood _t-- "Therapeutic" participation: on the legacy of Bruce Nauman's Yellow room (triangular) and other works _r/ Janet Kraynak _t-- Welcome!: On Dan Graham's Opposing mirrors and video monitors on time delay _r/ François Parfait _t-- On cruelty in art: Marina Abramović, Rhythm 0 _r/ Gilles Froger _t-- Viewer-instrumented play: Very nervous system by David Rokeby _r/ Jean Gagnon _t-- When objects speak in images: Krzysztof Wodiczko's Homeless vehicle project as an instrument of public discussion _r/ Christophe Domino _t-- Reflections on Jeffrey Shaw's Golden calf _r/ Daniel Pinkas _t-- Janet Cardiff's Walks _r/ Andrea Urlberger _t-- The gravity of art: on Carsten Höller's Untitled (Slide), 2011 _r/ Madeline Schwartzman _t-- Exhibiting the museum: the hybrid spaces of workspace unlimited _r/ Dominique Moulon _t-- VII. Words from artists and theoreticians: interviews : "Creating a living responsive environment" _r/ Julie Martin interviewed by Christophe Leclercq _t-- The action is the original _r/ Franz Erhard Walther interviewed by Erik Verhagen _t-- From interaction to public authorship _r/ Jochen Gerz interviewed by Marion Hohlfeldt _t-- In search of relational art _r/ Piero Gilardi interviewed by Emanuele Quinz _t-- "Open fields of enactment" _r/ Peter Weibel interviewed by Marion Hohlfeldt _t-- Reading beyond interactivity _r/ Masaki Fujihata interviewed by Dominique Cunin and Mayumi Okura _t-- "Form is a position" _r/ Thomas Hirschhorn interviewed by Eddie Panier _t-- Observational practice: a conversation on rhythm, pace, and crowd interaction _r/ Jordan Crandall interviewed by Anna Zeitz _t-- "Is there a revolution?" _r/ Rirkrit Tiravanija interviewed by Chantal Pontbriand _t-- "A direct dialogue with one's own perception" _r/ Seiko Mikami interviewed by Hiroko Myokam _t-- Everything is sculpture _r/ Ernesto Neto interviewed by Glória Ferreira _t-- Out of control _r/ Rafael Lozano-Hemmer interviewed by Alberto Sánchez Balmisa _t-- Blast theory: playing with publics _r/ Matt Adams interviewed by Frédérik Lesage _t-- "The granularity of participation" _r/ Usman Haque interviewed by Valérie Châ̂telet _t-- Critical design: art and politics of public spaces _r/ HeHe (Helen Evans and Heiko Hansen) interviewed by Jean-Paul Fourmentraux _t-- Exhibiting the visitor _r/ Lawrence Malstaf interviewed by Dominique Moulon _t-- "I see each of my works as a tool" _r/ Jeppe Hein interviewed Frederik Schikowski _t-- Composing the political arts: on the modes of being of artworks and their public _r/ Bruno Latour interviewed by Samuel Bianchini and Jean-Paul Fourmentraux _t-- "Use is almost meaning in three dimensions" _r/ Nicolas Borriaud interviewed by Larisa Dryansky _t-- "The myth of the active subject" _r/ Claire Bishop interviewed by David Zerbib.
520			_a"How are we to understand works of art that are realized with the physical involvement of the viewer? A relationship between a work of art and its audience that is rooted in an experience that is both aesthetic and physical? Today, these works often use digital technologies, but artists have created participatory works since the 1950s. In this book, critics, writers, and artists offer diverse perspectives on this kind of "practicable" art that bridges contemplation and use, discussing and documenting a wide variety of works from the last several decades. The contributors consider both works that are technologically mediated and those that are not, as long as they are characterized by a process of reciprocal exchange. The book offers a historical frame for practicable works, discussing, among other things, the emergence and influence of cybernetics. It examines art movements and tendencies that incorporate participatory strategies; draws on the perspectives of the humanities and sciences; and investigate performance and exhibition. Finally, it presents case studies of key works by artists including and offers interviews with such leading artists and theoretici ans as Claire Bishop, Thomas Hirschhorn, Matt Adams of Blast Theory, Seiko Mikami and Bruno Latour. Numerous illustrations of artists and their works accompany the text"
650		0	_aInteractive art.
700	1		_aBianchini, Samuel,
700	1		_aVerhagen, Erik,
700	1		_aDelbard, Nathalie.
700	1		_aDryansky, Larisa.
710	2		_9112198 _aM.I.T. Press
830		0	_9110897 _aLeonardo book series.
942			_2lcc _cKT
999			_c45725 _d45725