| 000 | 02336cam a2200325 i 4500 | ||
|---|---|---|---|
| 001 | 47312 | ||
| 003 | BAUN | ||
| 005 | 20240114201510.0 | ||
| 008 | 940201s1995 nyua b 000 0 eng | ||
| 010 | _a94001449 | ||
| 020 |
_a0140168249 _q(paperback) |
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| 020 |
_a9780140168242 _q(paperback) |
||
| 035 | _a(OCoLC) | ||
| 040 |
_aDLC _beng _cDLC _dUKM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dUAB _dDEBBG _dBDX _dOCLCF _dOCLCO _dBAUN _erda |
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| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aN72.5 _b.S72 1995 |
| 100 | 1 | _aStaniszewski, Mary Anne. | |
| 245 | 1 | 0 |
_aBelieving is seeing : _bcreating the culture of art / _cMary Anne Staniszewski. |
| 264 | 1 |
_aNew York : _bPenguin, _c1995. |
|
| 300 |
_ax, 308 pages : _billustrations ; _c21 cm. |
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| 336 |
_2rdacontent _atext _btxt |
||
| 337 |
_2rdamedia _aunmediated _bn |
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| 338 |
_2rdacarrier _avolume _bnc |
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| 504 | _aIncludes bibliographical references (pages 303-308). | ||
| 505 | 0 |
_t-- What is Art? _t-- Art and the Modern Subject _t-- The Term "Art" _t-- Aesthetics: The Theory of Art _t-- The Privilege: Creating Ar _tt -- The Academy _t-- The Museum _t-- The Discipline: Art History and The Development of Modernism _t -- The Avant-Garde, Popular Culture, and the Creation of the Mass Media _t-- Art and Culture Today. |
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| 520 | _aWhy are the paleolithic Venus of Willendorf, Michelangelo's Sistine Chapel frescoes, and Marcel Duchamp's ready-made urinal all considered works of art? Why, strictly speaking, is a Cindy Sherman photograph more "art-like" than a Da Vinci portrait? How did the painters and sculptors of the Renaissance see their creations? And who decides what art is today? In the tradition of Marshall McLuhan and John Berger, this learned and deliciously subversive book gives us a new way of seeing our artistic heritage. Believing Is Seeing is a work of multicultural scope and glittering intelligence that bridges the gulf between classical Japanese painting and the films of Spike Lee, between high theory and pop culture. Probing beyond the rhetorical surface of standard art histories and drawing on a panoramic array of illustrative material, Mary Anne Staniszewski throws a fresh light on individual works and the often mystifying criteria by which they are valued. | ||
| 650 | 0 | _aMasterpiece, Artistic. | |
| 650 | 0 | _aCreation (Literary, artistic, etc.) | |
| 942 |
_2lcc _cKT |
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| 999 |
_c50178 _d50178 |
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