000			02737nam a2200361 i 4500
001			47832
008			170126t20172017moua 000 0 eng d
020			_a9780692567371 _q(paperback)
020			_a0692567372
035			_a(OCoLC)ocn981618613
040			_aAZZPT _beng _cAZZPT _dOCLCO _dOCLCF _dPHUST _dOCLCQ _dNLF _dCTU _dYPM _dBAUN _erda
049			_aBAUN_MERKEZ
050	1	4	_aNE850 _b.M47 2017
100	1		_aMerrill, Hugh,
245	1	0	_aPreaching to the choir / _cHugh Merrill, Adelia Ganson; designed by Shelby Lemon.
264		1	_aKansas City, Missouri : _bChameleon Press, _c2017.
264		4	_c©2017
300			_a139 pages : _billustrations ; _c28 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes works by Hugh Merrill, Emmett Merrill, Frances Myers, Melanie Yazzie, Jenny Schmid, Michael Krueger, and Tom Huck.
505	0	0	_t-- First etching _t-- Beyond postprint _t-- Educating the next generation of printmakers _t-- What is a Quisling? : existing in the margins _t-- Patterns and dissent in print : placing the outlaw printmakers in historical context _t-- Guns, gals and gore in America : Tom Huck's evil prints _t-- Mel Chin draws a sausage _t-- Creativity as content : interview with Jim Leedy.
520			_aHugh Merrill has been a prominent activist in community art, and a respected artist and teacher at the cutting edge of Printmaking for many years. This book, written in conjunction with Adelia Ganson, brings together his writings and thoughts about printmaking, and its place in the contemporary visual arts, since the mid-1960s. It includes references to the most important developments in Printmaking in the USA as it has evolved into a major force in the visual arts and community activism. Although titled Preaching to the Choir it is also an open invitation to any artists seeking to redefine their position in the arts world to join that choir and to sing out loud and clear through the making of art that refuses to toe the line. Provocative, tantalising and encouraging by turns, this important book opens out a crucially important dialogue between artists and the community as we emerge into the dangerous light of the 21st century. For anyone wary of the machinations of the art establishment that has sold its soul to big money, the book will be a clarion call to work for and to believe in the wider values of making and sharing art.
600	1	0	_aMerrill, Hugh _q(Hugh J.)
600	1	0	_aGanson, Adelia.
600	1	0	_aLeedy, Jim.
650		0	_aPrints, American.
650		0	_aPrintmakers _zUnited States.
650		0	_aPrints, Abstract _zUnited States.
700	1		_aGanson, Adelia,
942			_2lcc _cKT
999			_c52006 _d52006