000 02201nam a2200289 i 4500
001 47834
008 171207s2017 enka g 001 0 eng d
020 _a9780719810008
_q(paperback)
020 _a0719810000
_q(paperback)
035 _a(OCoLC)1014182870
040 _aJSZ
_beng
_erda
_cJSZ
_dJSZ
_dOCLCO
_dTYV
_dMSO
_dGO4
_dSZR
_dBAUN
049 _aBAUN_MERKEZ
050 4 _aTT273
_b.S366 2017
100 1 _aSampson, Jane,
245 1 0 _aScreenprinting /
_cJane Sampson.
264 1 _aMarlborough, Wiltshire :
_bRobert Hale,
_c2017.
264 4 _c©2017.
300 _a127 pages :
_billustrations (chiefly colour) ;
_c28 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aIncludes index.
505 0 0 _t-- Introduction
_t-- Equipment and Materials
_t-- Using Paper Stencils
_t-- Reduction Printing
_t-- Drawing Fluid and Filler Stencils
_t-- Monoprinting Through the Screen
_t-- Photographic Stencil Making: The Basics
_t-- Making Positives for Photostencils
_t-- High-Contrast Digital Positives and Posterizations
_t-- Dealing with Halftones and Bitmaps
_t-- Four-Colour Separations
_t-- Colour Theory.
520 _aPRINTS and PRINTMAKING. Screenprinting is loved by artists and designers for its accessibility and for the seemingly endless possibilities that come naturally to a process that can combine vibrant colour and layering with pattern and image making. This book is not only aimed at the beginner, but also at more experienced printers who would like to brush up on their technique or bring themselves up to date. It is divided into chapters that cover a wealth of different screenprinting methods, from simple ones that can be achieved on a table top at home with minimum equipment, to those that require a professional studio or workshop set-up. Topics covered include using paper stencils and filler stencils; monoprinting through the screen; making positives for photo exposure by hand or by using the computer; making high-contrast positives and posterizations and there are special sections on using bitmaps, half tones and making colour separations.
650 0 _aScreen process printing.
942 _2lcc
_cKT
999 _c52007
_d52007