000			03027nam a2200325 i 4500
008			130923s2014 nyum b a001 0 eng d
010			_a2013930838
020			_a9780500239100 _q(hardback)
020			_a050023910X _q(hardback)
040			_aYDXCP _beng _erda _cYDXCP _dBTCTA _dBDX _dUKMGB _dGK8 _dERASA _dDEBBG _dNZWPM _dOCLCO _dIEB _dMEU _dIUL _dWW9 _dTWC _dNZ1 _dUKTTE _dUAB _dVP@ _dOCLCF _dUtOrBLW _dBAUN
049			_aBAUN_MERKEZ
050		4	_aN7618 _b.H35 2014
100	1		_aHall, James, _d1963-
245	1	4	_aThe self-portrait : _ba cultural history / _cJames Hall.
264		1	_aNew York, New York : _bThames & Hudson, _c2014.
300			_a288 pages : _billustrations (chiefly color) ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"120 illustrations, 109 in color."
504			_aContains bibliographic references (page 283) and index.
505	0	0	_t-- Medieval origins _t-- A craze for mirrors _t-- The artist in society _t-- The renaissance artist as hero _t-- Mock-heroic self-portraits _t-- The artist's studio _t-- At the crossroads _t-- Coming home : into the nineteenth century _t-- Sex and genius _t-- Beyond the face : modern and contemporary self-portraits.
520			_aIn this broad cultural survey, art historian and critic James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus to the prolific self-image-making of contemporary artists. His intelligent and vivid account shows how artists' depictions of themselves have been part of a continuing tradition that reaches back for centuries. Along the way he reveals the importance of the medieval 'mirror craze'; the explosion of the genre during the Renaissance; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch, Bonnard and Modersohn-Becker; and the latest developments of the genre in the era of globalization. The full range of self-portraits is covered here, from comic and caricature self-portraits to 'invented' or imaginary ones, as well as key collections of self-portraiture such as that of the Medici in Florence. Throughout, Hall asks why - and when - artists have chosen to make self-portraits, and looks deeply into the worlds and mindsets of the artists who have created them. Comprehensive and beautifully illustrated, the book features the work of a wide range of artists including Alberti, Caravaggio, Courbet, Dürer, Emin, Gauguin, Giotto, Goya, Kahlo, Koons, Magritte, Mantegna, Picasso, Raphael, Rembrandt and Warhol. Offering a rich and lively history, The Self-Portrait is an essential read for all those interested in this most enduringly popular and humane of art forms.--Publisher.
650		0	_aSelf-portraits.
650		0	_aArtists _vPortraits.
650		0	_aArt appreciation.
650		0	_aSelf-portraits _xHistory.
650		0	_aPortraits _xHistory.
942			_2lcc _cKT
999			_c52045 _d52045