000			01960nam a2200337 i 4500
001			47831
008			040915s2004 enkm b a001 0 eng
010			_a2004558274
020			_a9780192842589 _q(paperback)
020			_a0192842587 _q(paperback)
035			_a(OCoLC)51315264 _z(OCoLC)225614831
040			_aUKM _beng _cUKM _dDLC _dC#P _dBAKER _dNLGGC _dIOJ _dBTCTA _dYDXCP _dUQ1 _dAU@ _dCNCGM _dNTE _dBDX _dGDC _dOCLCF _dMNE _dBAUN _erda
049			_aBAUN_MERKEZ
050	0	0	_aN7575 _b.W47 2004
082	0	4	_221
100	1		_aWest, Shearer.
245	1	0	_aPortraiture / _cShearer West.
264		1	_aOxford ; _aNew York : _bOxford University Press, _c2004.
300			_a256 pages : _billustrations (chiefly color) ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aOxford history of art.
504			_aIncludes bibliographical references (pages 227-234) and index.
505	0	0	_t-- What is a portrait? _t-- Functions of portraiture _t-- Power and status _t-- Group portraiture _t-- Stages of life _t-- Gender and portraiture _t-- Self portraiture _t-- Portraiture and modernism _t-- Identities.
520	1		_a"Shearer West traces the history o f portraiture from the ancient world to the work of artists such as Tracey Emin and the Singh twins. She looks at the genre from a varity of perspectives, asking key question about its development. What is its function? How has it changed over the centuries? What problems do artists encounter in representing their subjects, and how have portraits been interpreted? Shearer West uncovers much intriguing detail about a genre that has often been seen as purely representational, and in doing so shows us how to communicate with the past in an exciting new way."--BOOK JACKET.
650		0	_aPortraits _xHistory.
710	2		_9111967 _aOxford University Press.
830		0	_920101 _aOxford history of art.
942			_2lcc _cKT
999			_c52075 _d52075