000 04345nam a2200445 i 4500
001 53527
008 180202s2018 caum bc a001 0 eng
010 _a2018005386
020 _a9783791357393
_q(hardcover)
020 _a3791357395
_q(hardcover)
035 _a(OCoLC)1004914602
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dOCLCF
_dERASA
_dOCLCA
_dAVA
_dBRL
_dOHX
_dYDX
_dOSU
_dOCLCA
_dFDA
_dL2U
_dNZAUC
_dOCLCO
_dRTM
_dBAUN
049 _aBAUN_MERKEZ
050 0 0 _aArt/NE1300.8.I8
_bC49 2018
082 0 0 _223
245 0 4 _aThe chiaroscuro woodcut in Renaissance Italy /
_cNaoko Takahatake ; with contributions by Jonathan Bober, Jamie Gabbarelli, Antony Griffiths, Peter Parshall, Linda Stiber Morenus.
264 1 _aLos Angeles, CA :
_bLos Angeles County Museum of Art ;
_aMunich ;
_aNew York, NY :
_bDelMonico Books, an imprint of Prestel,
_c2018.
264 4 _c©2018.
300 _a287 pages :
_billustrations (some color) ;
_c29 cm.
336 _atext
_btxt
_2rdacontent.
336 _astill image
_2rdacontent.
_btxt
337 _aunmediated
_bn
_2rdamedia.
338 _avolume
_bnc
_2rdacarrier.
500 _a"Published in conjunction with the exhibition The Chiaroscuro Woodcut in Renaissance Italy. This exhibition was organized by the Los Angeles County Museum of Art, in association with the National Gallery of Art. Exhibition itinerary: Los Angeles County Museum of Art: June 3-September 16, 2018 National Gallery of Art, Washington: October 14, 2018-January 20, 2019"-- Provided by publisher.
504 _aIncludes bibliographical references (pages 276-280) and index.
505 0 0 _tThe Italian chiaroscuro woodcut : History and technique /
_rNaoko Takahatake --
_tThe origins of the chiaroscuro woodcut /
_rPeter Parshall --
_tThe chiaroscuro woodcut and drawing in sixteenth-century Italy /
_rJonathan Bober --
_tThe place of the chiaroscuro woodcut within European printmaking /
_rAntony Griffiths --
_gCatalogue /
_rNaoko Takahatake, with Jonathan Bober, Jamie Gabbarelli, and Linda Stiber Morenus --
_gNote to the reader --
_tUgo da carpi in Venice and Rome c. 1516-17 --
_tParmigianino, ugo da carpi, and Antonio da Trento in Bologna c. 1517-30 --
_tNiccol{grave}o Vicentino and his workshop c. 1540s --
_tDomenico Beccafumi c. 1540s --
_tThe dissemination of the technique in Italy c. 1530s-80s --
_tAndrea Andreani c. 1580-1610 --
_tRecreating the Italian chiaroscuro woodcut /
_rLinda Stiber Morenus.
520 _a"The art of the chiaroscuro woodcut is celebrated in this groundbreaking and generously illustrated book. Chiaroscuro woodcuts are among the most immediately appealing of all historic prints, displaying exquisite invention, refined draftsmanship, technical virtuosity, and sumptuous color. Printing two or more woodblocks inked in different tones to create an image, the chiaroscuro woodcut was the earliest, most successful foray into color printing in Europe. Following its invention in Germany, the technique was first adopted around 1516 in Italy where it flourished through the sixteenth century. This novel art form engaged the interests of the most celebrated artists of the Renaissance, including Titian, Raphael, Parmigianino, and Beccafumi, and underwent sophisticated developments in the hands of such master printmakers as Ugo da Carpi, Antonio da Trento, Niccol Vicentino, and Andrea Andreani. Featuring more than 100 prints and related drawings, this book incorporates pioneering art historical research and scientific analysis to present a comprehensive study of the subject. Essays trace its creative origins and evolution, describing both materials and means of production. Brimming with full-color illustrations of rare and beautiful works, this book offers a fresh interpretation of these remarkable prints, which exemplify the rich imagery of the Italian Renaissance"--
650 0 _aWood-engraving, Italian
_y16th century
_vExhibitions.
650 0 _aWood-engraving, Renaissance
_zItaly
_vExhibitions.
650 0 _aChiaroscuro
_vExhibitions.
700 1 _aTakahatake, Naoko,
_d1977-
700 1 _aBober, Jonathan,
700 1 _aGabbarelli, Jamie,
700 1 _aGriffiths, Antony,
700 1 _aParshall, Peter,
700 1 _aMorenus, Linda Stiber,
710 2 _916834
_aLos Angeles County Museum of Art
710 2 _920830
_aNational Gallery of Art (U.S.)
942 _2lcc
_cKT
999 _c66986
_d66986