| 000 | 03398nam a2200409 i 4500 | ||
|---|---|---|---|
| 001 | 53497 | ||
| 008 | 170303t20172017sz mb a000 0 eng d | ||
| 020 | _a9783721209662 | ||
| 020 | _a3721209664 | ||
| 035 |
_a(OCoLC)974977069 _z(OCoLC)960278958 _z(OCoLC)960296099 _z(OCoLC)974856833 |
||
| 040 |
_aERASA _beng _erda _cERASA _dIBZ _dCHVBK _dOCLCO _dIXA _dJPG _dYDX _dBTCTA _dOBE _dBAUN |
||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 4 |
_aZ48 _b.K67 2017 |
|
| 100 | 1 | _aKomurki, John Z., | |
| 245 | 1 | 0 |
_aRisomania : _bthe new spirit of printing / _cwritten by John Z. Komurki ; curated by Luca Bogoni and Luca Bendandi. |
| 246 | 1 |
_iAt head of title: _aRisograph, mimeograph and other stencil duplicators. |
|
| 264 | 1 |
_a[Switzerland] : _bNiggli, _c[2017] |
|
| 264 | 4 | _c©2017. | |
| 300 |
_a230 pages : _billustrations (chiefly color), maps ; _c26 cm. |
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| 336 |
_atext _2rdacontent. _btxt |
||
| 337 |
_aunmediated _2rdamedia. _bn |
||
| 338 |
_avolume _bnc _2rdacarrier. |
||
| 505 | 0 | 0 |
_tStencil duplicating: past, present and future _t-- Mapping the movement: pioneers and innovators _t-- State of the art: Riso printing in the world today _t-- Riso world: global hibs, presses and communities _t-- Stencil basics: a step by step guide to Riso and mimeo printing. |
| 520 | _a"Risomania is the first book to document and discuss this groundbreaking global scene, looking at the histoy, present and future of the Riso, as well as featuring a range of artists, design studios and print shops who use it. At the heart of the volume are fabulous, hugely diverse examples of Riso-printing, including postcards, magazines, posters, flyers, and experimental printed products, all of which inspire through vivacity of colour, unique textures and, above all, the perfectly imperfect authenticity of Risography."-- | ||
| 520 | _a"Risography, named after the Japanese firm Riso, is a stencil printing process based on screen printing techniques that was developed in the transition phase from mechanical to digital printing. Although the printer looks like a copying machine, the colors are transferred onto the paper without the use of heat or chemicals, saving energy and making the process ecologically friendly. Graphic artists and designers from around the world have now rediscovered the risograph for themselves - along with other machines for similar, almost forgotten techniques such as mimeography - and sparked an unexpected renaissance of analog printing. A comprehensive introduction that addresses past, present and future is followed by an essay about the key pioneers in the contemporary risography scene. In the chapter 'Risoworld' notable risography-oriented publishers, printers and design studios from around the world are presented. At the heart of the book are fabulous, hugely diverse examples such as postcards, magazines, posters, flyers and experimental printed products, all inspired by the force of their color, their unique textures and, above all, the pefectly imperfect authenticity of risography."--From publisher's website. | ||
| 650 | 0 | _aCopying processes. | |
| 650 | 0 |
_aPrints _xTechnique. |
|
| 650 | 0 |
_aPrinting _vSpecimens. |
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| 650 | 0 | _aCopying machines. | |
| 650 | 0 |
_aStencils and stencil cutting _xTechnique. |
|
| 650 | 0 | _aMimeograph. | |
| 650 | 4 | _aRisograph stencil duplicators. | |
| 700 | 1 | _aBogoni, Luca, | |
| 700 | 1 | _aBendandi, Luca, | |
| 942 |
_2lcc _cKT |
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| 999 |
_c67090 _d67090 |
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