000			05629nam a2200385 i 4500
008			951030t19961996caua b 001 0 eng
020			_a0892362502 _q(cloth)
020			_a9780892362509 _q(cloth)
020			_a0892363983 _q(paper)
020			_a9780892363988 _q(paper)
035			_a(OCoLC)33441881 _z(OCoLC)150817880
040			_aDLC _beng _cDLC _dLVB _dBAKER _dNLGGC _dYDXCP _dBTCTA _dUAB _dGEBAY _dZWZ _dBDX _dGBVCP _dDEBBG _dOCLCO _dIUL _dOCLCF _dMHR _dOCLCA _dOCLCQ _dUtOrBLW _erda
049			_aBAUN_MERKEZ
050	0	4	_aN8555 _b.H57 1996
082	0	0	_220
245	0	0	_aHistorical and philosophical issues in the conservation of cultural heritage / _cedited by Nicholas Stanley Price, M. Kirby Talley, Jr., Alessandra Melucco Vaccaro
264		1	_aLos Angeles : _bGetty Conservation Institute, _c[1996]
264		4	_c©1996
300			_axvii, 500 pages : _billustrations (some color) ; _c26 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
490	1		_aReadings in conservation
504			_aIncludes bibliographical references (pages 451-471) and index
505	0	0	_t-- Contents _t Foreword _t Preface _t Note to the Reader _tPt. I The Eye's Caress: Looking, Appreciation, and Connoisseurship _t 1 The Lamp of Memory, I _r/ John Ruskin _t 2 Aesthetics and History in the Visual Arts _r/ Bernard Berenson _t 3 Art _r/ Clive Bell _t 4 Looking at Pictures _r/ Kenneth Clark _t 5 The History of Art as a Humanistic Discipline _r/ Erwin Panofsky _t 6 The Modern Cult of Monuments: Its Essence and Its Development _r/ Alois Reigl _t 7 Principles of Art History _r/ Heinrich Wolfflin _t 8 Italian Painters of the Renaissance _r/ Bernard Berenson _t 9 Conversations with Berenson _r/ Umberto Morra _t 10 Fundamental Laws of Sculpture _r/ John Ruskin _t 11 From Light into Paint _r/ E. H. Gombrich _t 12 Of Turnerian Mystery: Secondly, Willful _r/ John Ruskin _t 13 Rudiments of Connoisseurship _r/ Bernard Berenson _t 14 On Art and Connoisseurship _r/ Max J. Freidlander _t 15 Connoisseurship _r/ John Pope-Hennessy _t 16 The Nature of Gothic _r/ John Ruskin _tPt. II The Original Intent of the Artist _t 17 Art in Transition _r/ Albert Albano _t 18 Crimes against the Cubists _r/ John Richardson _t 19 The Autonomy of Restoration: Ethical Considerations in Relation to Artistic Concepts _r/ Ernst van de Wetering _tPt. III The Emergence of Modern Conservation Theory _t 20 That Mighty Sculptor, Time _r/ Marguerite Yourcenar _t 21 Restoration from the Perspective of the Humanities _r/ Paul Philippot _t 22 Theory of Restoration, I _r/ Cesar Brandi _t 23 The Integration of the Image: Problems in the Restoration of Monuments _r/ Giovanni Carbonara _t 24 Knowing How to "Question" the Object before Restoring It _r/ Albert France-Lanord _t 25 Introduction to Archaeological Conservation _r/ Marie Berducou _tPt. IV Historical Perspective _t 26 Historic Preservation: Philosophy, Criteria, Guidelines, I _r/ Paul Philippot _t 27 Degradation, Conservation, and Restoration of Works of Art: Historical Overview _r/ R. H. Marijnissen _t 28 Further Materials for a History of Conservation _r/ Sheldon Keck _t 29 The Surgery of Memory: Ancient Sculpture and Historical Restorations _r/ Orietta Rossi Pinelli _tPt. V Restoration and Anti-Restoration _t 30 Restoration _r/ Eugene-Emmanuel Viollet-le-Duc _t 31 Manifesto of the Society for the Protection of Ancient Buildings _r/ William Morris _t 32 The Lamp of Memory, II _r/ John Ruskin _tPt. VI Reintegration of Losses _t 33 On Restorations _r/ Max J. Friedlander _t 34 The Problem of the Integration of Lacunae in the Restoration of Paintings _r/ Albert Philippot, Paul Philippot _t 35 Theory of Restoration, II _r/ Cesare Brandi _t 36 Problems of Presentation _r/ Paolo Mora, Laura Mora, Paul Philippot _t 37 Theory of Restoration and Methodological Unity _r/ Umberto Baldini _t 38 Historic Preservation: Philosophy Criteria, Guidelines, II _r/ Paul Philippot _tPt. VII The Idea of Patina _t 39 The Idea of Patina and the Cleaning of Paintings _r/ Paul Philippot _t 40 Theory of Restoration, III _r/ Cesare Brandi _t 41 The Cleaning of Pictures in Relation to Patina, Varnish, and Glazes _r/ Cesare Brandi _t 42 A Review of the History and Practice of Patination _r/ Phoebe Dent Weil _t 43 The Surface of Objects and Museum Style _r/ Ernst van de Wetering _tPt. VIII The Role of Science and Technology _t 44 Scientific Research and the Restoration of Paintings _r/ Paul Coremans _t 45 The Scientist's Role in Historic Preservation with Particular Reference to Stone Conservation _r/ Giorgio Torraca _t 46 The Science and Art of Conservation of Cultural Property _r/ Giovanni Urbani _t Annotated Bibliography _t About the Authors _t Illustration Credits _t Index=520 \\ _aThis is the first comprehensive collection of texts on the conservation of art and architecture to be published in the English language. Designed for students of art history as well as conservation, the book consists of forty-five texts, some never before translated into English and many originally published only in obscure or foreign journals. The thirty major art historians and scholars represented raise questions such as when to restore, what to preserve, and how to maintain aesthetic character
650		0	_aArt _xConservation and restoration
650		0	_aArchitecture _xConservation and restoration
700	1		_aStanley-Price, Nicholas
700	1		_aTalley, Mansfield Kirby
700	1		_aMelucco Vaccaro, Alessandra
710	2		_969781 _aGetty Conservation Institute
830		0	_9109579 _aReadings in conservation.
900			_a9353
942			_2lcc _cKT
999			_c7998 _d7998