000 02785nam a2200313 i 4500
001 58147
008 030527r20032000ohua 001 0 eng d
010 _a00037257
020 _a0891349154
_q(hardback)
020 _a1581804563
_qhbk:
035 _a(OCoLC)
040 _aBLP
_cBLP
_dAZS
_dYNG
_dBAUN
_beng
_erda
049 _aBAUN_MERKEZ
050 0 0 _aArt/NC1003
_b.T48 2003x
100 1 _aThomas, Gregory,
_d1949-
245 1 0 _aHow to design logos, symbols, and icons :
_b24 internationally renowned studios reveal how they develop trademarks for print and new media /
_cGregory Thomas.
264 1 _aCincinnati, Ohio :
_bHow Design,
_c[2003]
264 4 _c©2000
300 _a142 pages :
_billustrations (some color) ;
_c28 cm.
336 _atext
_btxt
_2rdacontent
337 _aunmediated
_bn
_2rdamedia
338 _avolume
_bnc
_2rdacarrier
500 _aIncludes index.
505 0 0 _tForeword /
_rEarl Powell --
_tIntroduction: 2,000 Words on 2,000 Years of Logos, Symbols and Icons --
_tThe Art of the Mark: How to Design Successful Logos, Symbols and Icons --
_tThe Ten Criteria for Development of a Successful Logo, Symbol or Icon --
_tThe Three Categories of Logos, Symbols and Icons --
_tFlexible Identities --
_tExpo 2000 Hannover --
_tfrog's New Identity --
_tPittsburgh Children's Museum --
_tEMP --
_tEdmunds.com --
_tLogotypes --
_tSupersonic --
_tTwo-Lane Media --
_tNetcenter --
_tRaymond Pirouz's Identity --
_tAudi --
_tMetreon--A Sony Entertainment Center --
_tERAS Center --
_tNike --
_tSymbolic/Indexic Marks --
_tTime Warner --
_tChicago Orchestra Hall --
_tThe Fashion Center, New York --
_tBanco Bradesco --
_tEquity Marketing --
_tThe Presbyterian Church --
_tLos Angeles World Airports --
_tDetroit Edison --
_te-business --
_tConexant --
_tBank of America --
_tAcademic Investigations --
_tTexas Instruments --
_tThe Los Angeles Philharmonic --
_tLogos on Screen --
_tIcon and Graphic Button Design.
520 1 _a"This book explores a broad range of design projects, strategies and creative processes. You'll see how marks were designed for banks and nonprofit organizations, feature films and churches ... for mergers, globalizations and diversifications. For each project, you'll get the whole story of how the logo, symbol or icon evolved smoothly (or not so smoothly) from the original concept, including: where ideas came from, whether they were instant inspirations or 2 A.M. breakthroughs; different directions that were considered; how initial roughs were influenced and shaped by the principles of good design and the realities of the client; and how the final design was adapted for use in various formats, from brochures and business cards to trucks and street banners."--Jacket.
650 0 _aTrademarks
_xDesign.
650 0 _aLogos (Symbols)
_xDesign.
942 _2lcc
_cKT
999 _c82172
_d82172