000			02102nam a2200325 i 4500
001			63943
005			20240903142456.0
008			910911s1992 nyua bc 000 0 eng
020			_a0810937174 _q(hardback)
020			_a9780810937178 _q(hardback)
035			_a(OCoLC)24501998 _z(OCoLC)491297554
040			_aDLC _beng _cDLC _dBAKER _dBTCTA _dLVB _dYDXCP _dZWZ _dGEBAY _dOCLCF _dUtOrBLW _dBAUN _erda
041	1		_aeng _hger _hita
049			_aBAUN_MERKEZ
050	1	4	_aArt/NC257.P66 _bA4 1992
082	0	0	_220
100	1		_aPontormo, Jacopo da, _d1494-1556 _eaut _9119465
245	1	0	_aPontormo : _bdrawings / _cedited and with an introduction by Salvatore S. Nigro
264		1	_aNew York : _bH.N. Abrams, _c1992
300			_a158 pages : _billustrations (some color) ; _c33 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references (page 21)
520			_aThe agitated and contorted figures of 16th-century Florentine Mannerist painter Jacopo da Pontormo still beckon us to fathom their psychological depths, as revealed by this collection of 77 full-page color reproductions of his drawings. Pontormo's androgynous male youths wrestle with inner demons. His highly elongated, smiling Three Graces are not of this world. A penitent St. Jerome, in his painful self-inquisition, is emblematic of the artist's turmoil. Even his chubby infants twist and grimace, confirming Italian scholar Nigro's observation that Pontormo and his circle dwelled on ``the body in all its aspects of pathological misery.'' Featured in this elegant volume are calm, sensitive portraits that contrast with the more nervous works, plus ethereally majestic studies for frescoes in the chapel of San Lorenzo which depict strangely haughty angels, Adam and Eve, Noah in the Flood and a multitude of dead bodies
546			_aTranslated from Italian and German
600	1	0	_aPontormo, Jacopo da, _d1494-1556 _vCatalogs _xThemes, motives _9119466
700	1		_aNigro, Salvatore S _eedt _9119467
942			_2lcc _cKT
999			_c92398 _d92398