000			05476nam a2200481 i 4500
001			67660
005			20250729090858.0
008			200302t20202020caumch bc a001 0deng d
010			_a2020934248
020			_a9780300247275 _q(hardcover)
020			_a0300247273 _q(hardcover)
035			_a(OCoLC)1198094217
040			_aERASA _beng _cDLC _dERASA _dUKMGB _dILE _dYDX _dBDX _dDPL _dOCLCF _dSYB _dIMD _dCAM _dYDXIT _dTWS _dCIA _dCUT _dWAU _dIAK _dOUN _dBAUN _erda
041	0		_aeng
049			_aBAUN_MERKEZ
050	0	0	_aArt/ND237.M58 _bA4 2020
245	0	0	_aJoan Mitchell / _cedited by Sarah Roberts and Katy Siegel.
264		1	_aSan Francisco, CA : _bSan Francisco Museum of Modern Art ; _aNew Haven, CT : _bIn association with Yale University Press, _c[2020]
264		4	_c©2020.
300			_a385 pages (4 leaves folded) : _billustrations (chiefly color), facsimiles, portraits (some color) ; _c30 x 26 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"Published to accompany the exhibition co-organized by The Baltimore Museum of Art and the San Francisco Museum of Modern Art."
500			_a"Exhibition schedule: San Francisco Museum of Modern Art, September 4, 1921-January 17, 2022; Baltimore Museum of Art, March 6-August 14, 2022; Fondation Louis Vuitton, October 5, 2022-February 27, 2023."--Provided by publisher.
500			_aContributions by Sarah Roberts and Katy Siegel, Karli Wurzelbacher, Tracey Bashkoff, Marin Sarvé-Tarr, Amy Rahn, Meredith George Van Dyke, Mara Hoberman, Erin Kimmel, Cecilia Wichmann, David Max Horowitz, Rachel Mochon, Paul Auster, Gisèle Barreau, Éric de Chassey, Jennifer Hickey and David Reed, Eileen Myles, Richard Shiff, Joyce Pensato, and Jenni Quilter.
504			_aIncludes bibliographical references (pages [339]-364) and index.
505	0	0	_tForeword _t-- Beautiful weed _r/ Sarah Roberts and Katy Siegel _t-- Painter _r/ Sarah Roberts ; Sketchbook drawings, circa 1948 _r/ Karli Wurzelbacher _t-- St. Mark's _r/ Katy Siegel ; Untitled, circa 1950 _r/ Tracey Bashkoff _t-- Par avion _r/ Katy Siegel ; The bridge, 1956 _r/ Marin Sarvé-Tarr _t-- A country of her own : Joan Mitchell and France, 1948-1967 _r/ Éric de Chassey _t-- Frémicourt _r/ Sarah Roberts ; Mud time, 1960 _r/ Amy Rahn _t-- Voyages _r/ Sarah Roberts ; Girolata triptych, 1963 _r/ Meredith George Van Dyke _t-- Vétheuil _r/ Katy Siegel ; Untitled, 1969 _r/ Mara Hoberman _t-- "Love is the condition of arriving at infinity" : Joan Mitchell and poetry _r/ Jenni Quilter _t-- Territories _r/ Sarah Roberts ; Poem pastels _r/ Erin Kimmel _t-- Green _r/ Katy Siegel ; Weeds, 1976 _r/ Cecilia Wichmann _t-- Add red, or not _r/ Richard Shiff _t-- La vie en rose _r/ Katy Siegel ; La Grande Vallée XVI, pour Iva, 1983 _r/ David Max Horowitz _t-- Painting _r/ Sarah Roberts ; Late pastels _r/ Rachel Mochon _t-- Selected contextual images _t-- Joan Mitchell's Harbor December _r/ Jennifer Hickey and David Reed _t-- La ligne de rupture _r/ Paul Auster _t-- Joan and 'la musique à peindre" _r/ Gisèle Barreau _t-- To a sunflower _r/ Joyce Pensato _t-- Eight poems and Joan Mitchell's City landscape _r/ Eileen Myles.
520			_a"A sweeping retrospective exploring the oeuvre of an incandescent artist, revealing the ways that Mitchell expanded painting beyond Abstract Expressionism as well as the transatlantic contexts that shaped her. Joan Mitchell (1925-1992) was fearless in her experimentation, creating works of unparalleled beauty, strength, and emotional intensity. This gorgeous book unfolds the story of an artistic master of the highest order, revealing the ways she expanded abstract painting and illuminating the transatlantic contexts that shaped her. Lavish illustrations cover the full arc of her artistic practice, from her exceptional New York paintings of the early 1950s to the majestic multipanel compositions she made in France later in her career. Signature works are represented here along with rarely seen paintings, works on paper, artist's sketchbooks, and photographs of Mitchell's life, social circle, and surroundings. Featuring scholarly texts, in-depth essays, and artistic and literary responses, this book is organized in ten chronological chapters. Each chapter centers on a closely related suite of paintings, illuminating a shifting inner landscape colored by experience, sensation, memory, and a deep sense of place. Presenting groundbreaking research and a variety of perspectives on her art, life, and connections to poetry and music, this unprecedented volume is an essential reference for Mitchell's admirers and those just discovering her work."--Publisher's description.
600	1	0	_aMitchell, Joan, _d1925-1992 _vExhibitions. _9122051
600	1	0	_aMitchell, Joan, _d1925-1992 _xCriticism and interpretation. _9122052
650		0	_aPainting, Modern _y20th century _vExhibitions. _95905
650		0	_aPainting, American _y20th century _vExhibitions. _9122053
650		0	_aAbstract expressionism _zUnited States. _9122054
650		0	_aAbstract expressionism _zUnited States _vExhibitions. _919453
650		0	_aWomen painters _zUnited States _vExhibitions. _9122055
700	1		_aRoberts, Sarah Rehm, _eedt _ectb _9122056
700	1		_aSiegel, Katy, _eedt _ectb _9122057
710	2		_aSan Francisco Museum of Modern Art, _eisb _976445
710	2		_aBaltimore Museum of Art. _eisb _9122058
710	2		_aFondation Louis Vuitton (Paris, France), _eisb _9122059
942			_2lcc _cKT
999			_c94127 _d94127