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008			161103t20172017enkm bc a001 0 eng d
020			_a9780500292822 _q(paperback)
020			_a0500292825 _q(paperback)
020			_a9780500239605 _q(hardback)
020			_a0500239606 _q(hardback)
035			_a(OCoLC)982129025 _z(OCoLC)961007852 _z(OCoLC)985011176 _z(OCoLC)1008550895
040			_aEZ9 _beng _cEZ9 _dEZ9 _dOCLCF _dOCLCO _dCUI _dTOH _dYDX _dOCL _dYT1 _dUKTTE _dCOO _dL2U _dUNL _dOCLCQ _dOCLCO _dOCLCQ _dDGU _dCUY _dOCLCO _dOCLCL _dBAUN _erda
041	0		_aeng
043			_an-us---
049			_aBAUN_MERKEZ
050		4	_aArt/NE508 _b.A44 2017
082	0	4	_223
245	0	4	_aThe American dream : _bpop to the present / _cStephen Coppel, Catherine Daunt, Susan Tallman ; with contributions from Isabel Seligman and Jennifer Ramkalawon.
264		1	_aLondon : _bThames and Hudson, _c2017.
264		4	_c©2017.
300			_a332 pages : _bchiefly illustrations (chiefly color) ; _c29 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"This publication accompanies the exhibition 'The American Dream: pop to the present' at the British Museum from 9 March to 18 June 2017"--Title page verso.
504			_aIncludes bibliographical references (pages 321-325) and index.
505	0	0	_tPiecing together the American dream / _rStephen Coppel -- _tIrresistible: the rise of the American print workshop / _rSusan Tallman -- _g1. _tPop art -- _g2. _tThree giants of printmaking: Johns, Rauschenberg, Dine -- _g3. _tThe print workshop: _tLaboratories of experimentation and collaboration -- _g4. _tMade in California: the West Coast experience -- _g5. _tPersistence of abstraction: gestural and hard-edge 1960s-1970s -- _g6. _tMinimalism and conceptualism from the 1970s -- _g7. _tPhotorealism: portraits and landscapes -- _g8. _tThe figure reasserted -- _g9. _tPolitics and dissent -- _g10. _tFeminism, gender and the body -- _g11. _tRace and identity: unresolved histories -- _g12. _tSigns of the times.
520			_aThe American Dream: From Pop to present presents an overview of the development of American printmaking since 1960, paying particular attention to key figures such as Jasper Johns, Robert Rauschenberg and Andy Warhol. The 1960s was a period of change in the production, marketing and consumption of prints and the medium attracted a new generation of artists whose attitude towards making art had been conditioned by the monumentality and bold, eye-catching nature of popular imagery in postwar America, from advertising billboards to drive-in movies. Artists used to working on large canvases and huge sculptures created prints of an unprecedented ambition, scale and boldness in state-of-the-art workshops newly established on both the East and West coasts. Prints also became a means for expressing opinions on the great social issues of the day, from civil rights to the overt and covert role of government. This has continued, with feminism, gender, the body, race and identity, all topics represented in prints in a variety of stylistic approaches across the decades. The changing nature of American society provides a core element of the narrative, with prints offering a fascinating insight into contemporary thinking and attitudes.
600	1	0	_aJohns, Jasper, _d1930- _vExhibitions. _9122063
600	1	0	_aDine, Jim, _d1935- _vExhibitions. _9122064
600	1	0	_aRauschenberg, Robert, _d1925-2008 _vExhibitions. _9122065
600	1	0	_aWarhol, Andy, _d1928-1987 _vExhibitions. _9122066
650		0	_aPrints, American _y20th century _vExhibitions. _9122067
650		0	_aPrints _xTechnique _xHistory _y20th century _vExhibitions. _9122068
650		0	_aPrints _xSocial aspects _zUnited States _vExhibitions. _9122069
651		0	_aUnited States _xSocial life and customs _y20th century. _9122070
700	1		_aCoppel, Stephen, _eedt _9121947
700	1		_aTallman, Susan, _eedt _997234
700	1		_aDaunt, Catherine, _eedt _9122071
700	1		_aSeligman, Isabel _ectb _9122072
700	1		_aRamkalawon, Jennifer, _ectb _9122073
710	2		_aBritish Museum, _eisb _919880
942			_2lcc _cKT
999			_c94137 _d94137