| 000 | 03444nam a2200505 i 4500 | ||
|---|---|---|---|
| 005 | 20250729101627.0 | ||
| 008 | 170411t20162016gw m a001 0 eng d | ||
| 010 | _a2016439801 | ||
| 020 | _a3836555395 | ||
| 020 | _a9783836555395 | ||
| 035 | _a(OCoLC)921987809 | ||
| 040 |
_aYDXCP _beng _cDLC _dYDXCP _dZAC _dBDX _dJQM _dOCLCF _dCLE _dUAB _dBNG _dIGA _dOCLCO _dUKTTE _dOCLCQ _dUtOrBLW _dBAUN _erda |
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| 041 | 1 |
_aeng _hger |
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| 042 | _alccopycat | ||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aN447 _b.M64613 2016 |
| 130 |
_aModerne Kunst. _lEnglish. _9121713 |
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| 245 | 1 | 0 |
_aModern art / _cwith essays by Dietmar Elger [and 10 others] ; edited by Hans Werner Holzwarth and Laszlo Taschen ; translations, Christopher Cordy [and 6 others] |
| 246 | 1 |
_iSubtitle on cover: _a1870-2000, impressionism to today. |
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| 264 | 1 |
_aKöln : _bTaschen, _c[2016] |
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| 264 | 4 | _c©2016. | |
| 300 |
_a693 pages : _billustrations (some color) ; _c21 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 490 | 1 | _aBibliotheca universalis. | |
| 500 | _a"With essays by Dietmar Elger, Anne Ganteführer-Trier, Karin H. Grimme, Barbara Hess, Hans Werner Holzwarth, Klaus Honnef, Cathrin Klingsöhr-Leroy, Sylvia Martin, Daniel Marzona, Kerstin Stremmel, Norbert Wolf." | ||
| 500 | _aOriginal edition: Taschen, 2011. | ||
| 500 | _aIncludes index. | ||
| 505 | 0 | 0 |
_tModern art _t-- Impressionism _t-- Symbolism _t-- Cubism _t-- Expressionism _t-- Futurism _t-- Abstract art _t-- Dadaism _t-- Realism _t-- Surrealism _t-- Abstract expressionism _t-- Pop art _t-- Minimal art _t-- Conceptual art _t-- Post-modernism. |
| 520 | _aModern matters: A blow-by-blow account of groundbreaking modernism The modern art adventure began roughly 150 years ago in Paris. A circle of painters, whom we now know as Impressionists, began painting pictures with rapid, often impasto, strokes. They turned to everyday street life for subjects, instead of overblown heroic scenes, and they escaped the power of the establishment salon by organizing their own independent exhibitions. After this first assault on standard academic practice, there was no holding back. In a constant desire to challenge, innovate, and inspire, one modernist style supplanted the next: Symbolism, Expressionism, Futurism, Dada, Abstract Art, renewed Realism, Surrealism, Abstract Expressionism, Pop, Minimal and Conceptual Art. This indispensable overview traces the restless energy of modern art with a year-by-year succession of the groundbreaking artworks that shook standards, and broke down barriers. Each of these stand-out pieces is accompanied by a text profiling the artist and discussing the importance of their work. Introductory essays, meanwhile, explain the most significant modernist movements. | ||
| 546 | _aTranslated from the German. | ||
| 650 | 0 |
_aArt, Modern _y19th century. _911550 |
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| 650 | 0 |
_aArt, Modern _y20th century. _9284 |
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| 650 | 0 |
_aArt movements _xHistory _y19th century. |
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| 650 | 0 |
_aArt movements _xHistory _y20th century. _9121714 |
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| 650 | 0 |
_aPainting, Modern _y19th century. _977682 |
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| 650 | 0 |
_aPainting, Modern _y20th century. _911614 |
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| 700 | 1 |
_aElger, Dietmar _ectb _9121715 |
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| 700 | 1 |
_aCordy, Christopher _etrl _9121716 |
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| 700 | 1 |
_aTaschen, Laszlo _eedt _9121717 |
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| 700 | 1 |
_aHolzwarth, Hans Werner _eedt _9121718 |
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| 830 | 0 |
_aBibliotheca universalis (Taschen (Firm)) _9111684 |
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| 942 |
_2lcc _cKT |
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| 999 |
_c94143 _d94143 |
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