| 000 | 04880nam a2200565 i 4500 | ||
|---|---|---|---|
| 001 | 67776 | ||
| 005 | 20250728144950.0 | ||
| 008 | 030123s2003 maum b a001 0 eng | ||
| 010 | _a2003042131 | ||
| 020 |
_a0262194848 _q(hc. ; _qalk. paper) |
||
| 020 |
_a9780262194846 _q(hc. ; _qalk. paper) |
||
| 020 |
_a0262693321 _q(paperback) |
||
| 020 |
_a9780262693325 _q(paperback) |
||
| 035 |
_a(OCoLC)51566295 _z(OCoLC)59288165 _z(OCoLC)779144989 _z(OCoLC)982694675 _z(OCoLC)1008265923 |
||
| 040 |
_aDLC _beng _cDLC _dYDX _dUKM _dCLU _dIBS _dNLM _dBAKER _dNLGGC _dBTCTA _dYDXCP _dIAK _dCRH _dOCLCG _dAU@ _dIG# _dCPE _dKAAUA _dUBC _dHEBIS _dDEBBG _dUKMGB _dBDX _dOCLCO _dOCLCF _dOCLCQ _dOCLCO _dOCLCQ _dOCLCA _dBGU _dOCLCO _dCSA _dOCLCO _dZ5U _dOCLCQ _dOCLCO _dLCOAD _dL2U _dREB _dOCLCQ _dDCT _dBUF _dOCLCA _dOCLCQ _dOCLCA _dSAA _dOCLCO _dOCL _dOCLCO _dBAUN _erda |
||
| 041 | 0 | _aeng | |
| 042 | _apcc | ||
| 049 | _aBAUN_MERKEZ | ||
| 050 | 0 | 0 |
_aBF311 _b.S652 2003 |
| 080 | _a709.2 | ||
| 082 | 0 | 0 | _222 |
| 100 | 1 |
_aSolso, Robert L., _d1933- _eaut _996689 |
|
| 245 | 1 | 4 |
_aThe psychology of art and the evolution of the conscious brain / _cRobert L. Solso. |
| 264 | 1 |
_aCambridge, Mass. : _bMIT Press, _c[2003] |
|
| 264 | 4 | _c©2003 | |
| 300 |
_axv, 278 pages : _billustrations ; _c24 cm. |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
||
| 338 |
_avolume _bnc _2rdacarrier |
||
| 490 | 1 | _aMIT Press/Bradford Books series in cognitive psychology. | |
| 504 | _aIncludes bibliographical references (pages and265-272) and index. | ||
| 505 | 0 | 0 |
_tIntroduction : Art ... a tutorial _t-- Nativistic perception and directed perception _t-- Nativistic perception applied to the Raft _t-- Directed perception applied to the Raft _t-- Nude descending a staircase numbers 2 _t-- Rebound _t-- Art meets science _t-- 1. Art and the rise of consciousness _t-- Changes in science, changes in art _t-- Traditional ways of understanding art : psychophysical dualism _t-- Art and mind : a unitary view _t-- The evolution of art and the consciousness _t-- The rise of consciousness as a scientific topic _t-- AWAREness : the five facets of consciousness _t-- From nucleotides to Newton _t-- 2. Art and evolution _t-- The "new and improved" brain and technology, art, language, and culture _t-- Neanderthals, cro-magnons, and dogs that can't hunt _t-- The cognitive "big bang" _t-- The cognitive blueprint _t-- Environmental and dietary changes _t-- Brains and adaptation _t-- The evolution of the brain _t-- 3. Art and vision _t-- Visual AWAREness _t-- Seeing the brain and eye : the dynamic properties of vision _t-- The eye _t-- Beautiful colors _t-- From the eye to the brain _t-- The visual system and the perception of art _t-- 4. Art and the brain _t-- The evolution of the consciously AWARE brain _t-- The cognitive big bang and the emergence of art _t-- What brains do _t-- "Raphael's brain" _t-- 5. About face _t-- Faces are special in art _t-- Domain specificity and faces _t-- What the portrait artist's brain "sees" _t-- The face as a reflection of the "inner person" _t-- 6. Illusions : sensory, cognitive, and artistic _t-- Sensory illusions : truth or fiction? _t-- Cognitive illusions : twisting truth _t-- Visual illusions _t-- Artistic illusions _t-- First-order isomorphism and proto-isomorphism _t-- 7. Perspective : the art of illusion _t-- Seeing a 3D world with a 2D eye _t-- Principles of depth perception : where is it? _t-- Recumbent figures : why they are so hard to draw _t-- 8. Art and schemata _t-- Schemata _t-- Visual dissonance _t-- Canonic representations _t-- Representational art, abstract art _t-- A cognitive neuroscience theory of aesthetics. |
| 520 | 1 | _a"How did the human brain evolve so that art and an appreciation of art could develop? In The Psychology of Art and the Evolution of the Conscious Brain, Robert Solso describes how a consciousness that evolved for other purposes perceives and creates art." "Drawing on his earlier book Cognition and the Visual Arts and ten years of new findings in cognitive research (as well as new ideas in anthropology and art history), Solso shows that consciousness developed gradually, with distinct components that evolved adaptively over time. One of these components is an ability to imagine objects that are not present - an ability that allows us to create (and perceive) visual art."--Jacket. | |
| 650 | 0 |
_aConsciousness. _9995 |
|
| 650 | 0 |
_aCognition. _979865 |
|
| 650 | 0 |
_aBrain _xEvolution. _921804 |
|
| 650 | 0 |
_aVisual perception. _94397 |
|
| 650 | 0 |
_aArt _xPsychology. _916191 |
|
| 650 | 0 |
_aArt. _93317 |
|
| 650 | 0 |
_aEvolution (Biology) _92274 |
|
| 650 | 0 |
_aBrain. _9302 |
|
| 650 | 1 | 0 |
_aConsciousness _9995 |
| 650 | 2 | 0 |
_aArt _93317 |
| 650 | 2 | 0 |
_aEvolution (Biology) _92274 |
| 650 | 2 | 0 |
_aBrain _9302 |
| 650 | 2 | 0 |
_aVisual perception _94397 |
| 650 | 0 |
_aCognition _979865 |
|
| 830 | 0 | _aMIT Press/Bradford Books series in cognitive psychology. | |
| 942 |
_2lcc _cKT |
||
| 999 |
_c94154 _d94154 |
||