000			03899nam a2200469 i 4500
001			68061
005			20250728143905.0
008			181022t20182018ctum e bc a001 0 eng d
010			_a2018940358
016	7		_a019155164 _2Uk
020			_a9780300229066 _q(hardcover)
020			_a0300229062 _q(hardcover)
035			_a(OCoLC)1057472594 _z(OCoLC)1029892139 _z(OCoLC)1030031333 _z(OCoLC)1080113352
040			_aNHP _beng _cNHP _dOCLCO _dYDX _dHTM _dNYP _dMAV _dOCLCF _dGUA _dUKMGB _dL2U _dFSJ _dUX0 _dOCLCO _dBUB _dEXC _dUAB _dOCLCO _dCGL _dIAD _dZQP _dUVV _dIBE _dOCLCO _dU3W _dGZN _dOCLCO _dOCP _dKUK _dOCLCO _dNZAUC _dNJR _dNYP _dOCLCO _dCOO _dTXM _dOCLCO _dOCLCQ _dU@M _dOCL _dBDX _dQGJ _dERASA _dVA@ _dCHVBK _dDKC _dOCLCO _dUBY _dOSU _dUtOrBLW _dBAUN _erda
041	0		_aeng
043			_ae------ _ae-fr--- _an-us---
049			_aBAUN_MERKEZ
050		4	_aArt/N8232 _b.M87 2018
100	1		_aMurrell, Denise _eaut _9122015
245	1	0	_aPosing modernity : _bthe black model from Manet and Matisse to today / _cDenise Murrell.
246	3	0	_aBlack model from Manet and Matisse to today.
264		1	_aNew Haven : _bYale University Press ; _aNew York : _bin association with The Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, _c[2018]
264		4	_c©2018.
300			_axvii, 206 pages : _billustrations (some colour) ; _c27 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0	0	_tForeword and acknowledgments _t-- Foreword _t-- Introduction: the gift of Olympia _t-- Prologue : Manet's Laure and the histories of art _t-- Olympia in context: Manet, the Impressionists, and black Paris _t-- Affinities and interface: modern portraits of black women in the art of Matisse and the Harlem Renaissance _t-- A reimagined legacy: the black female figure from Bearden to now _t-- Profiles of three models.
520			_a"This revelatory study investigates how changing modes of representing the black female figure were foundational to the development of modern art. Posing Modernity examines the legacy of Edouard Manet's Olympia (1863), arguing that this radical painting marked a fitfully evolving shift toward modernist portrayals of the black figure as an active participant in everyday life rather than as an exotic "other." Denise Murrell explores the little-known interfaces between the avant-gardists of nineteenth-century Paris and the post-abolition community of free black Parisians. She traces the impact of Manet's reconsideration of the black model into the twentieth century and across the Atlantic, where Henri Matisse visited Harlem jazz clubs and later produced transformative portraits of black dancers as icons of modern beauty. These and other works by the artist are set in dialogue with the urbane "New Negro" portraiture style with which Harlem Renaissance artists including Charles Alston and Laura Wheeler Waring defied racial stereotypes. The book concludes with a look at how Manet's and Matisse's depictions influenced Romare Bearden and continue to reverberate in the work of such global contemporary artists as Faith Ringgold, Aimé Mpane, Maud Sulter, and Mickalene Thomas, who draw on art history to explore its multiple voices."--Publisher's description.
650		0	_aArtists' models _vExhibitions. _xBlacks _9122016
650		0	_aAfrican American models _vExhibitions.
650		0	_aArtists and models in art _xExhibitions. _999482
650		0	_aBlack people in art _vExhibitions _9122018
650		0	_aModernism (Art) _zUnited States _vExhibitions.
650		0	_aModernism (Art) _zEurope _vExhibitions _9122020
650		0	_aBlack people _zFrance _9122021
650		0	_aHarlem Renaissance _9122022
710	2		_aWallach Art Gallery, _eorganizer, _ehost institution, _eissuing body.
710	2		_aMusée d'Orsay, _eisb
942			_2lcc _cKT
999			_c94168 _d94168