000			03702nam a2200397 i 4500
001			68169
005			20250728120215.0
008			180817t20192019nyum bc a001 0 eng c
020			_a3791358596 _q(hardcover)
020			_a9783791358598 _q(hardcover)
035			_a(OCoLC)1048944827
040			_aYDX _beng _cYDX _dBDX _dOCLCQ _dERASA _dCAM _dUKMGB _dEZN _dYDXIT _dOCLCF _dFUG _dOSU _dUtOrBLW _dBAUN _erda
041	0		_aeng
049			_aBAUN_MERKEZ
050		4	_aArt/N7619.5.G3 _bS45 2019
245	0	4	_aThe self-portrait : _bfrom Schiele to Beckmann / _cedited by Tobias G. Natter ; preface by Ronald S. Lauder ; foreword by Renée Price ; with contributions by Philipp Blom [and others]
264		1	_aNew York : _bNeue Galerie ; _aMunich : _bPrestel, _c[2019]
264		4	_c©2019.
300			_a215 pages : _bcolor illustrations ; _c29 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aCatalog of an exhibition held at Neue Galerie New York, February 28-June 24, 2019.
504			_aIncludes bibliographical references and index.
505	0	0	_tPreface _r/ Ronald S. Lauder _t-- Foreword _r/ Renee Price _t-- "I Lust to Experience Everything": Egon Schiele and the Self-Portrait _r/ Tobias G. Natter _t-- The Modern Artist: On the Self-Image and Self-Understanding of G erman and Austrian Painters _r/ Olaf Peters _t-- A Painter in Changing Roles: Max Beckmann's Self-Portraits in Context _r/ Uwe M. Scchneede _t-- Self-Depiction in the Shadowof the Camera _r/ Monika Faber _t-- Looking in the Mirror and in the Museum: Intention and Tradition in German and Austrian Self-Portraiture, 1900-1940 _r/ Stefen Weppelmann _t-- All Eyes: Self-Portraiture, The Collapse of Truth and the Birth of the New Man _r/ Philipp Blom _t-- Plates and Catalogue Entries _r/ Rolf H. Johannsen, Guido Messling, Tobias G. Natter, and Olaf Peters _t-- Checklist _t-- Index _t-- Photograph and Copyright Credits.
520	8		_aThis visually stunning volume offers perceptive examinations of several renowned German and Austrian Expressionist artists who redefined modern self-portraiture. The self-portrait has been a vital aspect of artistic expression throughout history. Neo-Classical painters such as El Greco and Rembrandt formalized the practice, and the first half of the 20th century saw a dramatic transformation in the self-portrait's style and context, especially in the hands of the German and Austrian Expressionists. Vibrant reproductions of works by Egon Schiele, Max Beckmann, Ernst Ludwig Kirchner, Oskar Kokoschka, and others are accompanied by essays that explore how these artists--many of whom were classified as "degenerate" by the Nazi party--imbued their images with eloquent expressions of resistance, isolation, entrapment, and provocation. From Schiele's erotically charged and overtly physical paintings to Beckmann's emotionally fraught depictions of psychic trauma, this important examination of a powerful aspect of modern European painting brilliantly illustrates how the Expressionist self-portrait became a powerful weapon against artistic oppression. 00Exhibition: Neue Galerie, New York, USA (28.02.- 24.06.2019)
650		0	_aSelf-portraits, German _y20th century _vExhibitions. _9122135
650		0	_aSelf-portraits, Austrian _y20th century _vExhibitions. _9122136
650		0	_aExpressionism (Art) _zGermany _vExhibitions. _976442
650		0	_aExpressionism (Art) _zAustria _vExhibitions. _9122137
700	1		_aNatter, Tobias G. _q(Tobias Günter), _eedt _9122138
700	1		_aLauder, Ronald S., _eaft _9122139
700	1		_aPrice, Renée, _eaui _9122140
710	2		_aNeue Galerie New York, _eisb _9111656
942			_2lcc _cKT
999			_c94189 _d94189