000			03247nam a2200385 i 4500
001			67497
005			20250728140136.0
008			190211s2019 enkm bc a001 0 eng d
020			_a178130078X _q(paperback)
020			_a9781781300787 _q(paperback)
035			_a(OCoLC)1085201830
040			_aYDX _beng _cYDX _dBDX _dYDXIT _dUKMGB _dERASA _dOCLCF _dFDA _dBOS _dUKTTE _dCHVBK _dOCLCO _dUMC _dBAUN _erda
041	0		_aeng
049			_aBAUN_MERKEZ
050		4	_aArt/NE628.4 _b.S26 2019
080			_aLON-DUL
082	0	4	_223
245	0	0	_aCutting edge : _bmodernist British printmaking / _c[edited by Gordon Samuel].
264		1	_aLondon : _bPhilip Wilson Publishers ; _bDulwich Picture Gallery, _c2019.
300			_a191 pages : _billustrations (chiefly color) ; _c28 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_a"Published on the occasion of the exhibition "Cutting Edge: Modernist British Printmaking," Dulwich Picture Gallery, 19 June - 8 September 2019"--Title page verso.
500			_aThis exhibition was made possible through support from Michael Marks Charitable Trust.
504			_aIncludes bibliographical references and index.
505	0	0	_tLife in linocuts. The printmakers of the Grosvenor school of modern art / _rHana Leaper -- _tThe avant-garde -- _tPulsating rhythms : The radical achievement of Claude Flight and his printmaking pupils / _rPhilip Vann -- _tUrban living -- _tRelaxing the line : the linocuts of the Australian artists Dorrit Black, Eveline Syme and Ethel Spowers / _rTracey Lock -- _tAt work and at play -- _tA pastoral life -- _tThe rise, demise and renaissance of the Grosvenor school linocuts / _rGordon Samuel -- _tThe sporting life -- _tOn the move -- _tThe Andrew-Power posters -- _tPhotographs of the Grosvenor school artists.
520			_a"The Grosvenor School of Modern Art was founded by the influential teacher, painter and wood-engraver, Iain McNab, in 1925. Situated in London's Pimlico district the school played a key role in the story of modern British printmaking between the wars. The Grosvenor School artists received critical acclaim in their time that continued until the late 1930s under the influence of Claude Flight who pioneered a revolutionary method of making the simple linocut to dynamic and colourful effect. Cyril Power, a lecturer in architecture at the school, and Sybil Andrews, the School Secretary, were two of Flight's star students. Whilst incorporating the avant-garde values of Cubism, Futurism and Vorticism, the Grosvenor School printmakers brought their own unique interpretation of the contemporary world to the medium of linocut in images that are strikingly familiar to this day and are included in the print collections of the world's major museums, including the British Museum, the MoMA New York and the Australian National Gallery."--Dust jacket.
610	2	0	_aGrosvenor School of Modern Art. _9122046
650		0	_aPrints, British _y20th century _vExhibitions. _9122047
650		0	_aLinoleum block-printing, British _y20th century _vExhibitions. _9122048
700	1		_aSamuel, Gordon, _eedt _9122049
710	2		_aDulwich Picture Gallery, _eisb _9122050
942			_2lcc _cKT
999			_c94195 _d94195