000			01967nam a2200313 i 4500
001			67607
005			20250728162735.0
008			170920t20182018enkm a000 0 eng d
020			_a050029416X _q(paperback)
020			_a9780500294161 _q(paperback)
035			_a(OCoLC)1004248784
040			_aYDX _beng _cYDX _dNZAUC _dOCLCO _dOCLCF _dDZA _dBAUN _erda
041	0		_aeng
049			_aBAUN_MERKEZ
050	0	4	_aArt/GT3912 _b.W35 2011
082	0	4	_222
100	0		_aMadC, _d1980- _eaut _9122134
245	1	0	_aStreet fonts: _bgraffiti alphabets from around the world / _cClaudia Walde.
264		1	_aLondon : _bThames and Hudson, _c[2018]
264		4	_c©2018.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
520			_a"Classic graffiti lettering and experimental typographical forms lie at the heart of street culture and have long inspired designers in many different fields. But graffiti artists, who tend to paint the same letters of their tag again and again, rarely design complete alphabets. Claudia Walde spent over two years collecting alphabets by 154 artists from thirty countries to show the many different styles and approaches to lettering within the graffiti and street art cultures. All of the artists have roots in graffiti. Some are world renowned such as 123 Klan (Canada), Faith47 (South Africa), and Hera (Germany); others are lesser known or only now starting to emerge. Each artist received the same instructions: design all twenty-six letters of the Latin alphabet within the limits of a single page of the book. How they approached this task and selected the media with which to express their ideas was entirely up to them, and the results encompass not just street art but sketches, sculpture, digital art, and photography."--
650		0	_aGraffiti. _95647
650		0	_aStreet art. _916720
650		0	_aType and type-founding. _916730
942			_2lcc _cKT
999			_c94201 _d94201