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Music and dance in Southeastern Europe: place, space and resistance : Seventh Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, 23 April – 25 April 2021/
Music and dance in Southeastern Europe: place, space and resistance : Seventh Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, 23 April – 25 April 2021/
Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe (7. : 2021)
Editors Liz Mellish, Nick Green and Belma Oğul ; editorial assistance Gökçe Asena Altınbay, Emrah Ergene
- 1 online book (236 pages)
Includes bibliographical references.
Contents Introduction 5 Themes 6 Symposium report 8 Guest of honour 15 Programme 16 Theme 1 – Dance and music as resistance, integration and separation An aesthetic interference in traditional dance: the example of Trabzon women dances Gender dramaturgy in Dansöz performance The power of music as a resistance culture on social movements: a case study “Praksis Music Band” How we went back in time: Music on the protests of “For Common Macedonia” movement Female voices of war Music publishing as tension: A case study of early 20th century Fasıls Sounds of a lost past: Early 78rpm records of Armenians in USA Theme 2 – Performance places and spaces – how these are constructed Panel introduction: Methodogical approaches for the musical culture and sounding/moving 67 On critical ecology as a methodological approach A sensory ethnography on the soundscape of the eastern Black Sea A discussion on the potential of Musical Mapping Dance as an ecosystem and within the ecosystem Balkan “Gypsy dance” – as a one marker for global Romani identity Etudes for conductor, media speaking tube and non-tuned orchestra (on folk music in the media of Socialist Bulgaria) Chorlu Mare – Tranos Choros: Two linguistic-ethnic groups in one community dance. ICTM STUDY GROUP ON MUSIC AND DANCE IN SOUTHEASTERN EUROPE: 2021 HORO-teque in Bulgaria Performing chalgia – changing performance place and space vs changing performance context What is there? Bulgarian dance and the internet The troubled tune of Iran: Mohsen Namjoo’s music in between diaspora identity in a new performance place The relationship between the individual and ‘dance space’ in the Anatolian traditional dance context New echoes on the mountains: Yörük feasts Saints’ days, and village days: creating the space for community events in Romanian Banat Slavuj piva… - contemporary scenic interpretation of the Croatian traditional music and dance Levels of foreignness. Dancing Bulgarian folk dances in the welcoming culture of North Rhine-Westphalia, Germany Field recording and constructing performance place: A case study of two female solo vocal performances Pirin Folk stage – contemporary performance space for Bulgarian pop-folk music A birthplace of Turkish Arabesk music: Abdullah Nail Bayşu's house Theme 3 – Music and dance in the cultural basin of the Black Sea Re-thinking Black Sea music: Micro and macro perspectives The relationship between horon and space in social integration after the Lausanne exchange Biographies of contributors 242 Abstracts 248 Aşkar FÜSUN (Turkey) 20 Berna KURT (Turkey) 28 Gül KAPLAN EKEMEN and Cenker EKEMEN (Turkey) 35 Ivona OPETCHESKA TATARCEVSKA (N. Macedonia) 41 Selda ÖZTÜRK (Turkey) 46 Nevin ŞAHIN (Turkey) 54 Burcu YILDIZ (Turkey) 59 Bengi ÇAKMAK (Turkey) 68 Suna BAŞLANTI (Turkey) 76 Aslı KAYHAN (Turkey) 83 Belma OĞUL (Turkey) 88 Kai ÅBERG (Finland) 96 Ventsislav DIMOV ( Bulgaria) 106 Athena KATSANEVAKI (Greece) 113 Dilyana KURDOVA (Bulgaria) 125 Aleksandra KUZMAN (Macedonia) 135 Daniela IVANOVA-NYBERG (Bulgaria/USA) 145 Hamraz LOTFI KORUL (Turkey) 155 Mehmet Öcal ÖZBILGIN (Turkey) 160 E. Şirin ÖZGÜN (Turkey) 170 Liz MELLISH and Nick GREEN (Romania/UK) 176 Iva NIEMČIĆ and Joško ĆALETA (Croatia) 185 Gergana PANOVA-TEKATH (Germany/Bulgaria) 195 Ana PETROVIĆ (Serbia) 205 on Pešter, Serbia Lozanka PEYCHEVA (Bulgaria) 214 Serkan ŞENER (Turkey) 222 Abdullah AKAT (Turkey) 229 İdris Ersan KÜÇÜK (Turkey) 236
9786257739016
Music--Congresses.
Dance--Congresses.
MT3.T9 / S96 2021
Includes bibliographical references.
Contents Introduction 5 Themes 6 Symposium report 8 Guest of honour 15 Programme 16 Theme 1 – Dance and music as resistance, integration and separation An aesthetic interference in traditional dance: the example of Trabzon women dances Gender dramaturgy in Dansöz performance The power of music as a resistance culture on social movements: a case study “Praksis Music Band” How we went back in time: Music on the protests of “For Common Macedonia” movement Female voices of war Music publishing as tension: A case study of early 20th century Fasıls Sounds of a lost past: Early 78rpm records of Armenians in USA Theme 2 – Performance places and spaces – how these are constructed Panel introduction: Methodogical approaches for the musical culture and sounding/moving 67 On critical ecology as a methodological approach A sensory ethnography on the soundscape of the eastern Black Sea A discussion on the potential of Musical Mapping Dance as an ecosystem and within the ecosystem Balkan “Gypsy dance” – as a one marker for global Romani identity Etudes for conductor, media speaking tube and non-tuned orchestra (on folk music in the media of Socialist Bulgaria) Chorlu Mare – Tranos Choros: Two linguistic-ethnic groups in one community dance. ICTM STUDY GROUP ON MUSIC AND DANCE IN SOUTHEASTERN EUROPE: 2021 HORO-teque in Bulgaria Performing chalgia – changing performance place and space vs changing performance context What is there? Bulgarian dance and the internet The troubled tune of Iran: Mohsen Namjoo’s music in between diaspora identity in a new performance place The relationship between the individual and ‘dance space’ in the Anatolian traditional dance context New echoes on the mountains: Yörük feasts Saints’ days, and village days: creating the space for community events in Romanian Banat Slavuj piva… - contemporary scenic interpretation of the Croatian traditional music and dance Levels of foreignness. Dancing Bulgarian folk dances in the welcoming culture of North Rhine-Westphalia, Germany Field recording and constructing performance place: A case study of two female solo vocal performances Pirin Folk stage – contemporary performance space for Bulgarian pop-folk music A birthplace of Turkish Arabesk music: Abdullah Nail Bayşu's house Theme 3 – Music and dance in the cultural basin of the Black Sea Re-thinking Black Sea music: Micro and macro perspectives The relationship between horon and space in social integration after the Lausanne exchange Biographies of contributors 242 Abstracts 248 Aşkar FÜSUN (Turkey) 20 Berna KURT (Turkey) 28 Gül KAPLAN EKEMEN and Cenker EKEMEN (Turkey) 35 Ivona OPETCHESKA TATARCEVSKA (N. Macedonia) 41 Selda ÖZTÜRK (Turkey) 46 Nevin ŞAHIN (Turkey) 54 Burcu YILDIZ (Turkey) 59 Bengi ÇAKMAK (Turkey) 68 Suna BAŞLANTI (Turkey) 76 Aslı KAYHAN (Turkey) 83 Belma OĞUL (Turkey) 88 Kai ÅBERG (Finland) 96 Ventsislav DIMOV ( Bulgaria) 106 Athena KATSANEVAKI (Greece) 113 Dilyana KURDOVA (Bulgaria) 125 Aleksandra KUZMAN (Macedonia) 135 Daniela IVANOVA-NYBERG (Bulgaria/USA) 145 Hamraz LOTFI KORUL (Turkey) 155 Mehmet Öcal ÖZBILGIN (Turkey) 160 E. Şirin ÖZGÜN (Turkey) 170 Liz MELLISH and Nick GREEN (Romania/UK) 176 Iva NIEMČIĆ and Joško ĆALETA (Croatia) 185 Gergana PANOVA-TEKATH (Germany/Bulgaria) 195 Ana PETROVIĆ (Serbia) 205 on Pešter, Serbia Lozanka PEYCHEVA (Bulgaria) 214 Serkan ŞENER (Turkey) 222 Abdullah AKAT (Turkey) 229 İdris Ersan KÜÇÜK (Turkey) 236
9786257739016
Music--Congresses.
Dance--Congresses.
MT3.T9 / S96 2021
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