Music and dance in Southeastern Europe: place, space and resistance : Seventh Symposium of the ICTM Study Group on Music and Dance in Southeastern Europe, 23 April – 25 April 2021/ Editors Liz Mellish, Nick Green and Belma Oğul ; editorial assistance Gökçe Asena Altınbay, Emrah Ergene

Includes bibliographical references.

Contents Introduction 5 Themes 6 Symposium report 8 Guest of honour 15 Programme 16 Theme 1 – Dance and music as resistance, integration and separation Aşkar FÜSUN (Turkey) 20 An aesthetic interference in traditional dance: the example of Trabzon women dances Berna KURT (Turkey) 28 Gender dramaturgy in Dansöz performance Gül KAPLAN EKEMEN and Cenker EKEMEN (Turkey) 35 The power of music as a resistance culture on social movements: a case study “Praksis Music Band” Ivona OPETCHESKA TATARCEVSKA (N. Macedonia) 41 How we went back in time: Music on the protests of “For Common Macedonia” movement Selda ÖZTÜRK (Turkey) 46 Female voices of war Nevin ŞAHIN (Turkey) 54 Music publishing as tension: A case study of early 20th century Fasıls Burcu YILDIZ (Turkey) 59 Sounds of a lost past: Early 78rpm records of Armenians in USA Theme 2 – Performance places and spaces – how these are constructed Panel introduction: Methodogical approaches for the musical culture and sounding/moving 67 Bengi ÇAKMAK (Turkey) 68 On critical ecology as a methodological approach Suna BAŞLANTI (Turkey) 76 A sensory ethnography on the soundscape of the eastern Black Sea Aslı KAYHAN (Turkey) 83 A discussion on the potential of Musical Mapping Belma OĞUL (Turkey) 88 Dance as an ecosystem and within the ecosystem Kai ÅBERG (Finland) 96 Balkan “Gypsy dance” – as a one marker for global Romani identity Ventsislav DIMOV ( Bulgaria) 106 Etudes for conductor, media speaking tube and non-tuned orchestra (on folk music in the media of Socialist Bulgaria) Athena KATSANEVAKI (Greece) 113 Chorlu Mare – Tranos Choros: Two linguistic-ethnic groups in one community dance. ICTM STUDY GROUP ON MUSIC AND DANCE IN SOUTHEASTERN EUROPE: 2021 Dilyana KURDOVA (Bulgaria) 125 HORO-teque in Bulgaria Aleksandra KUZMAN (Macedonia) 135 Performing chalgia – changing performance place and space vs changing performance context Daniela IVANOVA-NYBERG (Bulgaria/USA) 145 What is there? Bulgarian dance and the internet Hamraz LOTFI KORUL (Turkey) 155 The troubled tune of Iran: Mohsen Namjoo’s music in between diaspora identity in a new performance place Mehmet Öcal ÖZBILGIN (Turkey) 160 The relationship between the individual and ‘dance space’ in the Anatolian traditional dance context E. Şirin ÖZGÜN (Turkey) 170 New echoes on the mountains: Yörük feasts Liz MELLISH and Nick GREEN (Romania/UK) 176 Saints’ days, and village days: creating the space for community events in Romanian Banat Iva NIEMČIĆ and Joško ĆALETA (Croatia) 185 Slavuj piva… - contemporary scenic interpretation of the Croatian traditional music and dance Gergana PANOVA-TEKATH (Germany/Bulgaria) 195 Levels of foreignness. Dancing Bulgarian folk dances in the welcoming culture of North Rhine-Westphalia, Germany Ana PETROVIĆ (Serbia) 205 Field recording and constructing performance place: A case study of two female solo vocal performances on Pešter, Serbia Lozanka PEYCHEVA (Bulgaria) 214 Pirin Folk stage – contemporary performance space for Bulgarian pop-folk music Serkan ŞENER (Turkey) 222 A birthplace of Turkish Arabesk music: Abdullah Nail Bayşu's house Theme 3 – Music and dance in the cultural basin of the Black Sea Abdullah AKAT (Turkey) 229 Re-thinking Black Sea music: Micro and macro perspectives İdris Ersan KÜÇÜK (Turkey) 236 The relationship between horon and space in social integration after the Lausanne exchange Biographies of contributors 242 Abstracts 248