Balıkesir Üniversitesi
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How to design logos, symbols, and icons : 24 internationally renowned studios reveal how they develop trademarks for print and new media / Gregory Thomas.

Yazar: Yayıncı: Cincinnati, Ohio : How Design, [2003]Telif hakkı tarihi:©2000Tanım: 142 pages : illustrations (some color) ; 28 cmİçerik türü:
  • text
Ortam türü:
  • unmediated
Taşıyıcı türü:
  • volume
ISBN:
  • 0891349154
  • 1581804563
Konu(lar): LOC sınıflandırması:
  • Art/NC1003 .T48 2003x
İçindekiler:
Foreword / Earl Powell -- Introduction: 2,000 Words on 2,000 Years of Logos, Symbols and Icons -- The Art of the Mark: How to Design Successful Logos, Symbols and Icons -- The Ten Criteria for Development of a Successful Logo, Symbol or Icon -- The Three Categories of Logos, Symbols and Icons -- Flexible Identities -- Expo 2000 Hannover -- frog's New Identity -- Pittsburgh Children's Museum -- EMP -- Edmunds.com -- Logotypes -- Supersonic -- Two-Lane Media -- Netcenter -- Raymond Pirouz's Identity -- Audi -- Metreon--A Sony Entertainment Center -- ERAS Center -- Nike -- Symbolic/Indexic Marks -- Time Warner -- Chicago Orchestra Hall -- The Fashion Center, New York -- Banco Bradesco -- Equity Marketing -- The Presbyterian Church -- Los Angeles World Airports -- Detroit Edison -- e-business -- Conexant -- Bank of America -- Academic Investigations -- Texas Instruments -- The Los Angeles Philharmonic -- Logos on Screen -- Icon and Graphic Button Design.
Görüşler: "This book explores a broad range of design projects, strategies and creative processes. You'll see how marks were designed for banks and nonprofit organizations, feature films and churches ... for mergers, globalizations and diversifications. For each project, you'll get the whole story of how the logo, symbol or icon evolved smoothly (or not so smoothly) from the original concept, including: where ideas came from, whether they were instant inspirations or 2 A.M. breakthroughs; different directions that were considered; how initial roughs were influenced and shaped by the principles of good design and the realities of the client; and how the final design was adapted for use in various formats, from brochures and business cards to trucks and street banners."--Jacket.
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Materyal türü Ana kütüphane Koleksiyon Yer numarası Durum İade tarihi Barkod Materyal Ayırtmaları
Kitap Kitap Mehmet Akif Ersoy Merkez Kütüphanesi Sanat Kitapları Bölümü Non-fiction NC1003 .T48 2003 (Rafa gözat(Aşağıda açılır)) Kullanılabilir 058147
Toplam ayırtılanlar: 0

Includes index.

Foreword / Earl Powell -- Introduction: 2,000 Words on 2,000 Years of Logos, Symbols and Icons -- The Art of the Mark: How to Design Successful Logos, Symbols and Icons -- The Ten Criteria for Development of a Successful Logo, Symbol or Icon -- The Three Categories of Logos, Symbols and Icons -- Flexible Identities -- Expo 2000 Hannover -- frog's New Identity -- Pittsburgh Children's Museum -- EMP -- Edmunds.com -- Logotypes -- Supersonic -- Two-Lane Media -- Netcenter -- Raymond Pirouz's Identity -- Audi -- Metreon--A Sony Entertainment Center -- ERAS Center -- Nike -- Symbolic/Indexic Marks -- Time Warner -- Chicago Orchestra Hall -- The Fashion Center, New York -- Banco Bradesco -- Equity Marketing -- The Presbyterian Church -- Los Angeles World Airports -- Detroit Edison -- e-business -- Conexant -- Bank of America -- Academic Investigations -- Texas Instruments -- The Los Angeles Philharmonic -- Logos on Screen -- Icon and Graphic Button Design.

"This book explores a broad range of design projects, strategies and creative processes. You'll see how marks were designed for banks and nonprofit organizations, feature films and churches ... for mergers, globalizations and diversifications. For each project, you'll get the whole story of how the logo, symbol or icon evolved smoothly (or not so smoothly) from the original concept, including: where ideas came from, whether they were instant inspirations or 2 A.M. breakthroughs; different directions that were considered; how initial roughs were influenced and shaped by the principles of good design and the realities of the client; and how the final design was adapted for use in various formats, from brochures and business cards to trucks and street banners."--Jacket.

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